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Canon EF 8-15mm f/4 L (rear gel filters only, 0.5'/0.15m close-focus, 19.1 oz./543g, about $1,360.) enlarge. This free website's biggest source of support is when you use these links, especially this link directly to it at Adorama, at Amazon or at eBay (see How to Win at eBay), when you get anything, regardless of the country in which you live. Thank you! Ken.
May 2012 Canon Reviews Canon Lenses All Reviews Canon 15mm f/2.8 Fisheye (1987-2011) Samyang 8mm f/3.5 Fisheye (2009-)
On full-frame at 8mm, 5D Mark III, f/4 at 1/30. Camera-original, full-resolution © file.
On full-frame at 15mm, 5D Mark III, f/4 at 1/30. Camera-original, full-resolution © file.
8mm image, processed with secret method for white borders.
Sunstar, 8mm, 5D Mark III, f/22 at 1/200, 220EX flash, processed with secret method for white borders. Original, full-resolution © file.
Ryan at the Park. (Canon 5D Mark III, Canon 8-15mm fisheye at 8mm, 220EX flash, f/20 at 1/200, AUTO ISO 320, 6 sharpening, 0 saturation, AUTO WB A4.) bigger. Introduction top Intro Specs Performance Compared Usage Recommendations More This Canon EF 8-15mm f/4 L is an autofocus zoom fisheye. At 8mm on full-frame and 35mm cameras, a circular image floats like a ball in the center of a black frame. At 15mm on full-frame and 35mm, a curvily-distorted 180º corner-to-corner image fills the complete rectangular frame. It also works on Canon's 1.3x and 1.6x cameras to give 180º full-frame images, but it cannot zoom out far enough to squeeze the complete circular image inside the smaller sensors. Therefore, on every Canon camera regardless of format (including real APS cameras like the Canon IX Lite), this clever zoom can serve as a full-frame fisheye, and on full-frame, can fit the circular image entirely inside the frame. This 8-15mm's sharpness is superb, but so is the sharpness of the earlier Canon 15mm f/2.8 Fisheye. Surprisingly, when set to 15mm, the sharpness and and lateral color fringes of these two lenses match. If you don't need to put a smaller circular image in your frame or need instant manual-focus override, this new 8-15mm lens offers no optical advantage to the previous 15mm f/2.8 Fisheye, and the f/2.8 fisheye is a full-stop faster. To use a fisheye well, you have to get very close. See How to Use Ultrawide Lenses, but beware, just about nothing is big enough to fill the frame of a fisheye — not even the entire sky. This fisheye has a magic fluorine coating that really works: the glass really does repel fingerprints, which is good, because if it's on your fisheye lens, its in your picture! Compatibility and Formats This lens is optimized for 35mm film and full-frame digital, and of course works on all 1.3x and 1.6x Canon cameras. This Canon EF EOS 8-15mm f/4 works perfectly with every Canon EOS camera ever made, meaning every Canon DSLR and every Canon autofocus 35mm camera made since 1987. This means of course it works great on today's 5D Mark III and Canon 7D, but it works just as well on my original Canon EOS 620 from 1987! As a full-frame lens, this works on all Canon SLRs, regardless of format. As a full-frame lens, I will be reviewing this lens on full-frame.
Canon 8-15 2.8. enlarge.
Specifications top Intro Specs Performance Compared Usage Recommendations More
Name Canon calls this the CANON FISHEYE ZOOM LENS EF 8-15mm f/4 L USM ULTRASONIC. EF means "electronic focus," meaning that there is an autofocus motor in the lens itself. All Canon lenses since 1987 have been EF. L means expensive as L. USM and ULTRASONIC mean they focus quietly, and that you may grab the focus ring at any time for instant, silent manual focus override.
Optics top 14 elements in 11 groups. Some UD (low-dispersion) glass. Aspherical elements. SWC anti-reflection coating (same as Nikon's Nano coating). Fluorine front and rear coatings for easier cleaning. The front group pumps in and out as zoomed. Internal focus.
Focal Length 8-15mm.
Angle of View (on 35mm and full-frame cameras) 180º ~ 175.5º diagonal. 180º ~ 91.8º vertical. 180º ~ 142 º horizontal.
Close Focus top 0.5 feet (0.15m) from the image plane, specified.
Maximum Reproduction Ratio top 1:2.9 (0.34x).
Diaphragm top Front, Canon 8-15mm at f/4 and 8mm. enlarge. 7 blades, rounded. Stops down to f/22.
Focus Scale top Yes. The ring turns from infinity to the closest focus distance in about 90.º
Depth-of-Field Scale top No.
Infra-Red Focus Indices top Yes, mark for 8mm focal length, for 800 nm wavelength.
Filters top Rear gel slot.
Size top Canon specifies 3.1" (78.5mm) diameter by 3.3" (83.0mm) long. The front group pumps in and out as zoomed. Nothing moves as focused.
Weight top 19.140 oz. (542.65g), measured. Canon specifies 19.1 oz. (540g). EW-77 plastic hood weighs 0.485 oz. (13.8g). Plastic front cap weighs 1.135 oz. (32.2g).
Hood top EW-77 hood. Plastic bayonet EW-77, included.
Case top LP1219 sack, included.
Caps top Capped Canon 8-15mm. bigger. Big plastic cap to cover the hood. No cap for just the lens; you must reattach the hood and then the cap if you're using it at 8mm. Standard EOS cap rear.
Quality top Made in Japan.
Price, USA top Box, Canon 8-15mm f/4. 2012 May: $1,360.
Performance top Intro Specs Performance Compared Usage Recommendations More Overall Autofocus Breathing Projection Ergonomics Falloff Filters Flare Lateral Color Fringes Macro Mechanics Sharpness Sunstars
Overall performance top The Canon 8-15mm f/4 is a super-sharp fisheye that gives us the convenience of either a frame-filling or a smaller circular image with the flick of a zoom ring on full-frame, as well one lens that serves as 180º frame-filling fisheye on any of Canon's various sensor-size cameras.
Autofocus performance top Autofocus is fast, quiet and exact, no surprises here.
Auto/Manual Switching Just grab the focus ring for instant manual-focus override. You never need to touch the AF-MF switch unless you want to lock-out autofocus.
AF Speed AF is fast.
AF Accuracy and Consistency AF accuracy is fine on my Canon 5D Mark III.
Manual Focus Manual focus is easy; just move the ring.
Focus Breathing performance top Focus breathing (the image changing size as focused) is mostly of interest to cinematographers who don't want the image changing size ("breathing") as the lens is focused among different subjects. The image of the Canon 8-15mm f/4 gets smaller as focused more closely. If you can see the black image edges, they contract as focused more closely.
Projection performance top Fisheyes ought to follow the formal projection where the image position away from center is the same for every degree of subject angle away from the center (r = fθ equidistant (equal-angle) projection.) Most compact fisheyes squash the sides too much, and bulge-out the center too much. They distort from the proper projection. This Canon does this, which most people prefer. The 1960s Nikon 8mm f/8 has less distortion, that its, objects are less squished around the edges and not so huge in the center.
Ergonomics performance top Canon 8-15/2.8. enlarge. Shooting ergonomics are great; the zoom and focus controls are moderately damped and easy to grab. The bayonet hood has to be removed for circular images. There is no front lens cap! The big plastic cap covers only the hood, so you must attach the hood and then the cap if you're using it at 8mm. The cap stays on the hood, and the hood's release is designed well so it's pretty easy to remove and attach both of them together from shot to shot. The focus ring feels great, not that you'll ever need it. The zoom likewise feels great. It's perfectly damped, and easy to move with a fingertip.
Falloff (darkened corners) performance top There is some minor darkening of the edges at f/4, and otherwise there isn't any falloff. There is no lens correction data available for this lens from Canon, so in-camera peripheral illumination correction won't work.
Filters, Use with performance top There's no way to attach front filters. Gels can be cut and slipped into a slot over the rear element.
Flare and Ghosts performance top The 8-15 has just about no ghosts if you get the sun in your image. The worst you may see may be a few very small dots, but they're easy to spot out, unlike larger blobs.
Lateral Color Fringes performance top There are green-magenta fringes towards the edges. No Canon camera has any lens profiles or other ways to correct this. I use DxO Optics Pro software if I need to rectify this.
Macro performance top For you crazy Dutch, Norwegians and Germans, this fisheye focuses even closer than other fisheyes, which is more than way too close. Canon 8-15mm at 15mm at closest-focus-distance on full-frame at f/7.1.
Crop from above image at 100%, 22 MP Canon 5D Mark III. Shot on Canon's smaller-format 1.3x and 1.6x cameras, the effect will be even closer.
Mechanics performance top Rear, Canon 8-15 f/4. enlarge. The Canon 8-15mm f/4 is well made, but more plasticy than the previous Canon 15mm f/2.8 Fisheye (1987-2011).
Hood Mount Plastic.
Fore Barrel Plastic.
Focus Ring Metal, covered with rubber.
Mid-barrel Plastic.
Internals Seem like metal.
Zoom Ring Metal, rubber-covered.
Zoom Cams Feel like metal.
Moisture seal at mount Yes.
Mount Chromed metal.
Markings Paint.
Serial Number Bottom, Canon 8-15mm Fisheye. bigger. Laser-engraved into the bottom of the barrel.
Date Code None found.
Noises When Shaken Mild clicking.
Made in Japan, for the hood and caps as well as the lens.
Sharpness performance top The 8-15mm is always super sharp at every aperture from center to edge. Lateral color fringes at the edges or diffraction at small apertures will be your biggest limitations. Here are Canon's rated MTF curves:
Sunstars performance top Sunstar, 8mm, 5D Mark III, f/22at 1/200, 220EX flash, processed with secret method for white borders. Original, full-resolution © file.
Ryan at the Park. (Canon 5D Mark III, Canon 8-15mm fisheye at 8mm, 220EX flash, f/20 at 1/200, AUTO ISO 320, 6 sharpening, 0 saturation, AUTO WB A4.) bigger. With a somewhat curved 7-bladed diaphragm, sunstars are muted, and only visible at the smallest apertures. This sample is the best I could do. Don't expect much.
Compared top Intro Specs Performance Compared Usage Recommendations More Canon EF 15mm f/2.8 and 8-15mm f/4 L fisheyes. bigger. Surprisingly, at 15mm, each offers identical sharpness and the identical color and strength of lateral color fringes. The only visible difference is that at f/4, the 8-15mm has some light falloff, while the faster f/2.8 lens is stopped down and no longer has any falloff. Set to 15mm, the zoom has exactly the same view as the fixed 15mm lens when compared head-to-head. On full-frame, I can cheat and set the zoom at 14mm, and get even a little more in with no vignetting!
Compared to any of the Nikon fisheyes made since the 1960s though today, either of these has far superior edge sharpness, but has more lateral color fringes (Nikon DSLRs correct lateral color fringes, while Canon DSLRs cannot). Canon makes superb fisheyes, while Nikon lags behind. That's OK, since Nikon makes far superior ultrawide zooms, while Canon lags far behind Nikon in ultrawides.
Usage top Intro Specs Performance Compared Usage Recommendations More
Watch the front! Rockwell's finger touching front element. People die every year when they get too close to airplane propellers with fisheye lenses. I haven't died yet, but I've been doing this since the 1970s — my mom's a pilot. Looking through your viewfinder, things look a lot farther away than they actually are. People die when they get too close! Be careful. Even if you don't die, it's easy to bang the front element on your subject; objects are still reasonably in-focus even if they're touching the glass. On that note, keep the front clean and don't ever scratch or nick it, because unlike with normal lenses, whatever's on the front of the glass will be visible in your pictures.
LIMIT Switch Canon 8-15mm Zoom Limiter. enlarge. The LIMIT switch prevents the lens from zooming any wider than 10mm. You have to have the lens set longer than 10mm to engage the switch. If you do, this will prevent you from getting any dark corners when shot on 1.6x cameras.
AF - MF Switch Leave this in AF. Set it to MF only to deactivate autofocus.
This lens makes black borders. This is great for slide shows in dark rooms, but when shown on a white page as I do here, I prefer white borders. To do this, I: 1.) Crop my full-frame images to a square: CMD-OPT-C, and enter the vertical pixel dimension into the horizontal dimension box. 2.) Select the circle: use the Elliptical Marquee Tool (M), and drag it from top left corner to bottom right. Hold the SHIFT key to force it into a circle, and choose the exact lower-right position to make the circle just the right size. 2a.) Move the circle if you need to. 2b.) For a softer edge, set FEATHER = 20 pixels or so. 3.) Select the black corners, instead of the circle, as SELECT > INVERSE. 4.) Press DELETE, or IMAGE > FILL, and fill with white, or any color you like. 5.) To curve your copyright notice, select your text, and hit the WARP TEXT option (the crooked-T half-circle cattle brand along the top bar), select STYLE > ARC, at about -10.
Recommendations top Intro Specs Performance Compared Usage Recommendations More This 8-15mm is a very popular fisheye lens. It offers the added conveniences of being two lenses in one, and instant manual-focus override, over the older Canon 15mm f/2.8 Fisheye. The older lens offers solider build quality and identical optical performance, at half the price with a more convenient metal lens cap, but it requires moving a switch for manual focus and can't make a smaller circular image in the middle of your frame. If you need a fisheye for Canon, your have two choices for full-frame, but for 1.3x and 1.6x cameras, this new 8-15mm is your only choice for a 180º fisheye. If you've found the time I've spent sharing this professional review helpful, this free website's biggest source of support is when you use these links, especially this link directly to it at Adorama, directly to it at Amazon or at eBay (see How to Win at eBay), when you get anything, regardless of the country in which you live. Thanks! Ken
More Information top Intro Specs Performance Compared Usage Recommendations More
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Thanks for reading!
Mr. & Mrs. Ken Rockwell, Ryan and Katie.
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