Home Donate New Search Gallery Reviews How-To Books Links Workshops About Contact Zeiss 50mm f/1.5 © 2011 KenRockwell.com. This page best with Corporate S regular and bold activated. Intro Specs Performance Compared Recommendations Zeiss 50mm f/1.5 C Sonnar ZM in silver (46mm filters, 8.2 oz./232g, about $1,261, also comes in black). enlarge. This free website's biggest source of support is when you use these links, especially these directly to it at Adorama in silver or in black, or at Amazon in silver or in black when you get anything, regardless of the country in which you live. Here's the link to the optional hood at Adorama or at Amazon. It helps me keep reviewing these specialized lenses when you get yours through these links, thanks! Ken.
February 2011 Zeiss Reviews LEICA LEICA Lenses Voigtländer All Reviews See also Zeiss 50mm f/2 Planar and Zeiss 50mm f/1.5 (1937-1962) Introduction top Intro Specs Performance Compared Recommendations
The Zeiss 50mm f/1.5 Sonnar ZM lens for LEICA is an unusually compact, high-speed lens. It is superb for people pictures. It's a superb lens for just about anything. Its classic design gives spectacular bokeh wide-open, and it gets super-sharp stopped down. In this one Zeiss Sonnar we have a great lens for isolating subjects at large apertures, and a super-sharp, distortion-free lens at moderate apertures for when we need sharpness. It gives beautiful images wide open, and super-sharp images stopped down. This 50mm f/1.5 is an optical design from the 1930s. It is a special lens intended for old-style bokeh in a new, contrasty and multicoated lens. It's a pleasant surprise to get this old design in a new lens without all the internal haze, fog and worn exterior glass all too common with any original versions of this lens still around today. The Zeiss 50mm f/1.5 Sonnar ZM excels in being smaller, shorter and lighter than other 50mm f/1.4 lenses. It doesn't block the finder, as do other 50mm f/1.4 lenses. It has no visible distortion, but it's not the lens for people who are counting pixels wide open. It is for people who demand pleasant bokeh at large apertures in an unusually compact lens at a reasonable price. The LEICA SUMMILUX-M 50mm f/1.4 ASPH is bigger, heavier and more expensive than this Zeiss, and also has great bokeh. This Zeiss lens is far more pleasant to shoot than the larger LEICA ASPH due to its better size and weight, and this Zeiss focusses more easily and doesn't block the finder as does the 50mm f/1.4 ASPH. If you count pixels, the Zeiss 50mm f/2 Planar is sharper for less money at larger apertures, but for pleasant bokeh in a compact lens, this Zeiss Sonar is unusual today for being what it is: a modern reincarnation of a classic 1930s lens. This f/1.5 Zeiss lens is as good optically as LEICA's previous (1961-2004) 50mm f/1.4 SUMMILUX, and Leica sold the heck out of that old design until they introduced the ASPH. Honest, I've shot them all back-to-back at the range, and this Zeiss is as good on the sides and corners, and about the same, and sometimes better, in the center at large apertures. No one ever complained about the earlier SUMMILUX, but these fine points were never as easily visible on film. In keeping with its classic design, it only focuses to 3 feet (0.9 meters), not the 2.3 feet (0.7 meters) of most modern rangefinder lenses.
Zeiss 50/1.5 Sonnar ZM. enlarge. Compatibility Mount This LEICA-M mount lens works perfectly on every LEICA M ever made, from the LEICA M3 of 1954 through today's LEICA M9. It also works on every other LEICA M mount camera, like the Minolta CLE, Zeiss Ikon and those dirty little Voigtländers.
Metering TTL meters in cameras like the CLE, Zeiss Ikon, Konica Hexar RF, LEICA M6, LEICA M6 TTL, LEICA M7, and LEICA M9 work fine with this lens.
Sample Image, f/8 on LEICA M9, ISO 160 at 1/250, DNG, Aperture 3, Auto enhance). Full-resolution.
Specifications top Intro Specs Performance Compared Recommendations Name Zeiss calls this the Carl Zeiss C Sonnar 1,5/50 ZM T*. "C" stands for your choice of Compact or Classic. Sonnar is Zeiss' trademark for fast normal lenses. ZM means LEICA M mount. T* is Zeiss' trademark for their multicoating.
Optics top Internal Diagram, Zeiss 50mm f/1.5 ZM. enlarge. 6 elements in 4 groups. T* is Zeiss' trademark for their multicoating. This lens was designed in the days before lens coatings. Its simple design works well without coatings, so with multicoating, its contrast remains very high in difficult light.
Diaphragm top Front, Zeiss ZM 50mm f/1.5 at f/5.6. enlarge. 10 straight blades. Stops down to f/16. Third-stop clicks.
Angle of View top 27º by 39º (45.7º diagonally).
Close Focus top 0.9 meters (3 feet). This is less close than modern LEICA lenses, which focus to 0.7 meters (2.3 feet).
Maximum Reproduction Ratio top 1:15. Area covered: 37 x 55 cm, rated.
Size top 2.187" (55.55mm) diameter by 1.501" (38.13mm) extension from flange, measured.
Weight top 8.185 oz. (232.0g), measured. 8.5 oz. (240g), specified.
Hood top The precision metal hood (part nr. 1428-461) isn't included, which is too bad, since it's very nice. It sells for about $85 at Adorama or at Amazon. This Zeiss hood bayonets and locks. The only way to get it off is by firmly pushing it towards the camera to unlock and then rotating. It is spring loaded so it will never fall off, unlike LEICA hoods.
Introduced top Announced at Photokina, 28 September 2004.
Shipping since top 2005.
Part Numbers top Black Lens: 1407-218. Silver Lens: 1407- 067. Hood: 1428-461.
Scope of Delivery top You only get the lens, caps and fancy paperwork. The hood is $85 extra.
Made in top Japan.
Price, USA top $1,261, September 2020. $1,120, February 2011.
Performance top Intro Specs Performance Compared Recommendations Overall Bokeh Diaphragm Calibration Distortion Ergonomics Falloff Filters Finder Blockage Focus Lateral Color Fringes Materials & Construction Sharpness Sunstars
Overall performance top The Zeiss 50mm f/1.5 ZM is a classic design offering small size, pleasant bokeh at the largest apertures and low distortion instead of pixel-counting sharpness. Sample Image, f/11 on LEICA M9, ISO 160 at 1/125, DNG, Aperture 3, Auto enhance). Full-resolution.
Bokeh performance top Bokeh, the character of out of focus backgrounds, not simply how far out of focus they are, is excellent. It's a little weird at f/1.5, and absolutely beautiful from f/2 onwards. Here are crops from the center of 100% LEICA M9 images, focused on a reference phase lattice at 3 meters (10 feet) with synthetic reference vegetation at 15 meters (50 feet). Printed full-image at this size, these would be about 52 x 35 " (130 x 90cm) prints, at least as seen on most 100 DPI computer monitors:
Diaphragm Calibration performance top The calibration is right-on: the meter in my M9 tracks each full-stop perfectly throughout the entire range, except of course for the largest aperture.
Distortion performance top The Zeiss ZM 50/1.5 has no visible distortion. There is very slight barrel distortion if you like to enlarge LEICA M9 files to 200% and drop rulers on them in Photoshop, for these uses, use these coefficients to correct it in Photoshop's lens distortion filter:
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Here is Zeiss' claimed distortion curve, however Zeiss doesn't specify the distance at which it is measured. Claimed Distortion, percent Distortion, Zeiss 50mm f/1.5 ZM.
Ergonomics performance top Zeiss ZM 50mm f/1.5. enlarge. Ergonomics are perfect, better than other 50mm f/1.4 lenses because this lens is small enough not to block any of the viewfinder. The numbers and their indices are easy to read in any light, except that the red footage markings on the black version are invisible in anything other than daylight. They are much clearer in these pictures than they are in practice. The silver lens is always easy to read. Focus is silky-smooth, has no play, and slides with a fingertip. There is a raised metal nubbin on the bottom to help you focus with just one finger, as well as be able to set distance by feel in the dark. The aperture ring also flicks with a fingertip. It has a detents at third stops, and the full stops aren't more deeply detented, so if you count clicks as I do, it can become confusing if you shoot LEICA lenses at the same time.
Falloff (darker corners) performance top Falloff is minor on a LEICA M9. I've exaggerated this here, showing gray field shots against gray. These were shot with no lens profile set in the M9; set a profile and you'll get different results.
Zeiss' chart.
Filters, use with performance top Any standard 46mm filter works great, with no vignetting.
Finder Blockage performance top There is no finder blockage. The edge of the 50/1.5 ZM just barely touches the frame edge at 1 meter, and is nowhere near it at farther distances.
Focus performance top Focus is smooth. It's easy to move with a fingertip from any position. Focus accuracy was just fine on a LEICA M9 at f/1.5. With rangefinder cameras, if you get too picky, you'll never be happy. They all vary a little from sample to sample. THis 1930s design may have some focus shift, meaning that the point of best focus may be slightly different at different apertures. If you're picky about focus, try your lens on your camera at various distances and apertures and see if you need to make any corrections. I had no problems; it worked great.
Lateral Color Fringes performance top If you're looking, there is some minor red-cyan shift.
Materials and Construction performance top Rear, Zeiss ZM 50mm f/1.5. enlarge. This Zeiss 50/1.5 ZM is very well made. Leica has economized by using plastic for its focus tabs, while this Zeiss still uses solid metal for everything.
Filter threads and hood mount Seem like chromed brass.
Barrels, aperture and focus rings Seem like aluminum.
Finish Matte silver anodized or semi-gloss black enamel. The silver is a little bit brighter than the chrome of a LEICA M3.
Focus helicoids Seem like brass.
Mount Seems like chromed brass.
Markings Engraved and filled with paint.
Blue index dot Plastic.
Sharpness performance top The more you know about photography, the more you know that lens sharpness doesn't matter. This Zeiss 50mm f/1.5 Sonnar is always sharp and contrasty in the center, but softer away from the center at large apertures. That's what we expect from its classic design. This isn't a lens for modern landscape and nature photography; it's a people lens. Stopped down, its super-sharp, so it offers the best of all worlds: perfect bokeh for out-of-focus areas wide-open, and super-sharp stopped down. This Zeiss 50/1.5 is sharper at f/1.5 in the center than the 1961-2004 LEICA SUMMILUX 50mm f/1.4, and about the same sharpness at other apertures, and that was LEICA's top 50mm lens until just a few years ago.
As tested on a LEICA M9 at infinity f/1.5 The center is sharp and contrasty, while most of the rest of the image is softer. The rest of the image isn't smeared, it's just softer as if there is curvature of field
f/2 The center is sharper than at f/1.5, while the rest of the image is much softer.
f/2.8 The center is now optimally sharp; much sharper than at f/2, and up to modern standards of being very, very sharp. The periphery is soft.
f/4 - f/11 The center was already optimum at f/2.8, while the periphery and corners continue to improve as stopped down.
f/16 Diffraction makes it less sharp than at smaller apertures.
Zeiss's MTF curve for the 50mm f/1.5 ZM at f/1.5 (white light, 10, 20 ü. 40 c/mm).
Zeiss's MTF curve for the 50mm f/1.5 ZM at f/4 (white light, 10, 20 ü. 40 c/mm).
Sunstars performance top With a straight 10-bladed diaphragm, the Zeiss 50/1.5 should make 10-pointed sunstars on brilliant points of light.
Compared top Intro Specs Performance Compared Recommendations This is a very compact and fast lens. Its optics aren't designed for ultimate sharpness; they are designed for a pleasant image with compact size and high speed. Voigtländer 50/1.1, LEICA 50/1.4, Zeiss 50/1.5, Zeiss 50/2, LEICA 50/2. bigger.
* Actual measured. See my even more detailed comparison chart in my LEICA SUMMILUX-M 50mm f/1.4 ASPH review.
Recommendations top Intro Specs Performance Compared Recommendations This Zeiss 50mm f/1.5 Sonnar ZM is an easy lens to love: it's just so small and fast! It's not a lens for pixel counters. It's very sharp at middle and smaller apertures where it matters, but trades sharper images for smoother images at the largest apertures. This 50/1.5 is superb for general photography and people pictures, but for critical landscape and nature photography, opt for one of the f/2 lenses. If you find the time I take to research all this helpful, my biggest source of support is when you use these links, especially these directly to it at Adorama in silver or in black, or at Amazon in silver or in black, or locally at OC Camera, when you get anything, regardless of the country in which you live. Here's the link to the optional hood at Adorama or at Amazon. It helps me keep reviewing these specialized lenses when you get yours through these links, thanks! Ken.
Zeiss' page on the 50mm f/1.5. Zeiss' technical data on the 50mm f/1.5. Zeiss' glossy flyer about the 50mm f/1.5. Zeiss' glossy brochure on the ZM lenses.
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21 Sept 2020, Feb 2011