Fuji 100-200mmGF f/5.6 R LM OIS WR(80-160mm equivalent)User's Guide Recommendations More Fujifilm Fujinon GF 100-200mm f/5.6 R LM OIS WR (metal 67mm filter thread, 41.315 oz./1,171.2g with collar as shown, 36.950 oz./1,047.6g without 4.370 oz./123.95g collar, 2~5¼'/0.6~1.6m close focus, $1,500 new or about $1,200 used if you know How to Win at eBay). bigger. I'd get mine at Adorama, at Amazon or at at B&H, or used at eBay. This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Thanks for helping me help you! Ken.
May 2019 Better Pictures Fuji GFX System GF Lenses Sony LEICA Zeiss Nikon Canon All
Sample ImagesTop Sample Images Introduction User's Guide Recommendations More Half Dome in Clouds at Sunset, Yosemite Valley, 7:04 P.M., 07 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 123.8 mm, f/11 at 1/20 at ISO 100, Perfectly Clear v3.7. bigger or full-resolution.
Yosemite Falls, 5:01 P.M., 07 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 200mm, f/22 at 1/320 hand-held at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
Tree, Yosemite Valley, 7:04 .P.M., 07 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 100mm, f/11 at 1/2 at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
Trees in the Merced River, Yosemite Valley, 2:58 P.M., 08 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 100mm, f/16 at 1/18 at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
Rainbow in Bridal Veil Falls, Yosemite Valley, 4:15 P.M., 08 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 200mm, f/16 at 1/42 at ISO 100, Perfectly Clear v3.7. bigger.
Backlit Tree, Yosemite Valley, 5:05 P.M., 08 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 164.5 mm, f/5.6 at 1/170 at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
Two Pine Trees on the Bank of the Merced River, Yosemite Valley, 7:26 P.M., 08 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 100mm, f/16 at 2 seconds at ISO 100, Perfectly Clear v3.7. bigger.
Alpenglow, Yosemite Valley, 7:52 P.M., 08 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 200mm, f/11 at 1/6 at ISO 100, Perfectly Clear v3.7. bigger.
Three Textures, Merced River, Yosemite Valley, 7:40 A.M., 09 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 123.8 mm, f/22 at 1/6 at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
Flowing Water, Merced River, Yosemite Valley, 8:23 A.M., 10 May 2019. Fujifilm GFX 50R, Fujifilm GF 100-200mm f/5.6 OIS at 158.8 mm, f/16 at 1/7 second at ISO 100, Perfectly Clear v3.7, split-toned print. bigger.
More at Springtime in Yosemite, May 2019. IntroductionTop Sample Images Introduction User's Guide Recommendations More
This GF 100-200mm lens is an all-purpose telephoto for Fujifilm's GFX series of medium format cameras. As we'd expect for a premium lens with such a limited (2:1) zoom range and slow (f/5.6) speed, its optical performance is flawless. It's limited zoom range is perfect for medium format, allowing us to make very precise compositional adjustments while on a tripod. It's as big, but weighs less than 70-200/2.8 lenses for full-frame cameras. This is an easy lens to carry all day, and it's also super-easy and smooth to zoom very precisely with just a fingertip, even if pointed up or down. I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay.
NewFujifilm's first telephoto zoom for its digital medium-format GFX system. A (AUTO) and C (Command-dial-controlled) positions of aperture ring now lock.
GoodFlawless optics. Dedicated, locking aperture ring. Stops down to f/32. Internal focus and zoom, nothing moves externally. Smooth, precise one-fingertip zooming. Metal filter threads. Made domestically in Japan. Works with GF1.4x TC WR Teleconverter. Tripod collar included. Weather- and dust-sealed in 10 areas: Fujifilm 100-200mm weather gaskets.
Fujifilm GFX 50R and GF 100-200mm covered in spray at the base of Yosemite Falls. bigger.
BadElectronic manual-focus ring, not a real mechanical one.
MissingRemovable tripod collar included, but it has no 90º click stops. No focus scales, which could have been used for computing optimum apertures. No depth-of-field scales.
SpecificationsTop Sample Images Introduction User's Guide Recommendations More
I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay.
NameFujifilm calls this the FUJINON LENS GF100-200mmF5.6 R LM OIS WR. Fujinon is Fujifilm's brand name for their lenses. GF means it works with Fujifilm's GFX medium format system. R means it has an aperture ring. LM means Linear (autofocus) Motor. OIS means Optical Image Stabilization. WR means weather resistant. Fujifilm's model number is GF100-200mmF5.6 R LM OIS WR or 600020702.
Also has: ∅67: Takes 67mm filters. Aspherical: Uses aspherically-shaped lens elements for sharper pictures. Super EBC: Fujinon's brand of multicoating, standing for Super Electron-Beam Coated.
OpticsFujinon internal optical construction. Aspherical and Super ED elements. 20 elements in 13 groups. Two Super ED extra-low dispersion elements, which help reduce secondary axial chromatic aberration. One Aspherical element. Internal zooming; doesn't change length as zoomed. Super Electron-Beam Coating (EBC).
Coverage33 × 44mm Medium-Format (55mm image circle).
DiaphragmFujifilm GF 100-200mm (diaphragm not shown). bigger. 9 rounded blades. Electronically actuated. Stops down to f/32 in 1/3-stop clicks.
Focal Length100~200mm. When used on Fuji's 33 × 44mm Medium-Format cameras it sees the same angles of view as an 80~160mm lens sees when used on a full-frame (24 × 36mm) camera. See also Crop Factor.
Angle of View30.6º ~ 15.6º diagonal on GFX medium format.
AutofocusNo external movement as focussed, so no air or dust is sucked in.
Focus ScaleNo.
Infinity Focus StopNo.
Depth of Field ScalesNo.
Reproduction Ratio ScaleNo.
Infrared Focus IndicesNo.
Close Focus2 feet (0.6 meters) at 100mm to 5¼ feet (1.6 meters) at 200mm. (distances measured to image plane; distances to front of lens are closer.)
Maximum Reproduction Ratio1:5 (0.2×) at 100mm. Yes, it gets biggest and closest at the 100mm, not 200mm, end.
Image StabilizerYes, not rated for stops improvement.
FiltersMetal 67 mm filter thread.
HoodThe hood is included and has a little sliding door so you can rotate your grads and polarizers.
CaseBlack sack included. A sock works better.
Tripod CollarThe tripod collar is included and removable. There are no 90º click stops.
Size3.52" Ø maximum diameter × 7.20" extension from flange. 89.5 mm Ø maximum diameter × 183 mm extension from flange.
Weight41.315 oz. (1,171.2 g) with collar. 36.950 oz. (1,047.6 g) without collar. 4.370 oz. (123.95 g), collar only. Rated 37.0 oz. (1,050 g).
QualityMade in Japan.
EnvironmentRated to work down to -10º C (+14º F).
AnnouncedFujifilm's Lens Roadmap, 25 September 2018.
IncludedLens. FLCP-67 II 67mm front lens cap (p/n 16539807). RLCP-002 G-mount rear cap (p/n 16539730). Hood. Tripod collar. Black sack.
PackagingBox, Fujifilm GF 100-200mm. bigger. Microcorrugated cardboard box. Corrugami top section holding sack, closed-cell white foam below holding lens.
Fujifilm's Fujinon Model NumberGF100-200mmF5.6 R LM OIS WR or 600020702.
Price, USA$1,500 new or about $1,200 used if you know How to Win at eBay, May 2019.
PerformanceTop Sample Images Introduction User's Guide Recommendations More
Overall Autofocus Manual Focus Breathing Bokeh Distortion Ergonomics Falloff Filters Flare & Ghosts Lateral Color Fringes Macro Mechanics Sharpness Spherochromatism Stabilization Sunstars
I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay.
OverallThis is an essentially flawless lens. Optics are flawless and operation is superb, too.
AutofocusAutofocus speed is moderate, and it's silent.
Manual FocusManual focusing is entirely electronic; the manual focus ring isn't connected to anything other than a digital encoder. Manual focus speed is dynamic: it focuses more quickly or more precisely based on how fast you turn the ring. It's easy to get from one end of the range to the next, and then to get precise magnified focus.
Focus BreathingFocus breathing is the image changing size as focused in and out. It's important to cinematographers that the image not breathe because it looks funny if the image changes size as focus gets pulled back and forth between actors. If the lens does this, the image "breathes" by growing and contracting slightly as the dialog goes back and forth. The image from the 100-200mm gets a little smaller as focussed more closely.
BokehBokeh, the feel or quality of out-of-focus areas as opposed to how far out of focus they are, is neutral to good. It's nice and soft. Here are photos from headshot distance wide-open: Davis 6250 weather station, 04 May 2019. bigger or camera-original © file.
Davis 6250 weather station, 04 May 2019. bigger or camera-original © file. As always, if you want to throw the background as far out of focus as possible, shoot at f/5.6 at 200mm and get as close as possible.
DistortionThe Fujinon 100~200mm has no visible distortion, at least as shot on a GFX 50R which is probably correcting any that's there in its default Digital Lens Modulation Optimizer. These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
© 2019 KenRockwell.com. All rights reserved.
Ergonomics
This lens handles great. The focus ring is only electronic, so who knows when it's working or not depending on how you have the camera set. Zooming works so much better than other lenses: it's smooth, easy to turn and half the lens is zoom ring. A fingertip is all it takes to zoom precisely, even pointed straight up or down. The zoom is so nice you're going to get caught just turning it back and forth for no reason as you're relaxing while counting your profits from the great photos you'll be selling made with this lens.
FalloffFalloff is invisible, at least with the GFX 50R's default Lens Modulation Optimizer ON. I've greatly exaggerated the falloff by shooting a gray field and placing these on a gray background; it will not look this bad in actual photos of real things:
Filters, use withThere's no need for thin filters. I can stack several regular 67mm filters without any vignetting. Go ahead and use your standard rotating polarizer and grad filters.
Flare & GhostsFlare and ghosts aren't a problem; there's only the slightest ghosting under extreme conditions. See Sunstars for a sample.
Lateral Color FringesThere are no color fringes as shot on Fujifilm's cameras, which by default correct for any that may be there with the Digital Lens Optimizer.
Macro PerformanceOddly this lens gets closest and has the largest macro magnification at its 100mm setting, at which it works very well.
Wide-open at f/5.6It's sharp wide-open: Casio G-Shock Solar Atomic Watch at close-focus distance at 100mm, 04 May 2019. bigger or camera-original © file. Here's a crop from this image: 1,200 × 900 pixel crop from above. bigger or camera-original © file. If this crop is about 3" (7.5cm) wide on your screen, then the complete image printed at this same high magnification would be about 14-1/2 × 21-3/4" (1.2 × 1.8 feet or 37 × 55 cm). If this crop is about 6" (15cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 29 × 43" (2.4 × 3.6 feet or 0.75 × 1.1 meters). If this crop is about 12" (30cm) wide on your screen, then the complete image printed at this same insane level of magnification would be about 58 × 87" (4.8 × 7.2 feet or 1.5 × 2.2 meters).
At f/11Stopped down it gets even sharper: Casio G-Shock Solar Atomic Watch at close-focus distance at 200mm, 04 May 2019. bigger or camera-original © file. Here's a crop from this image: 1,200 × 900 pixel crop from above. bigger or camera-original © file. If this crop is about 3" (7.5cm) wide on your screen, then the complete image printed at this same high magnification would be about 14-1/2 × 21-3/4" (1.2 × 1.8 feet or 37 × 55 cm). If this crop is about 6" (15cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 29 × 43" (2.4 × 3.6 feet or 0.75 × 1.1 meters). If this crop is about 12" (30cm) wide on your screen, then the complete image printed at this same insane level of magnification would be about 58 × 87" (4.8 × 7.2 feet or 1.5 × 2.2 meters). Mechanical QualityFujifilm GF 100-200mm. bigger. This beautiful lens is almost all metal.
HoodPlastic bayonet hood with locking pawl.
Front BumperNone.
Filter ThreadsMetal.
Hood Bayonet MountMetal.
Focus RingRubbery.
Zoom RingRubber-covered metal.
Aperture RingMetal.
Rear Barrel ExteriorMetal.
IdentityEngraved and filled with paint around front of lens and on top of barrel near mount.
InternalsSeems like all metal!
Dust Gasket at MountYes.
MountChromed brass.
MarkingsMost are engraved and filled with paint as they should be, with some minor markings laser-engraved.
Serial NumberLaser engraved on the side of the barrel, just ahead of the tripod collar.
Date CodeNone found.
Noises When ShakenMild clunking from the uncaged OIS section and the focus groups.
Made inJapan.
SharpnessLens sharpness has nothing to do with picture sharpness; every lens made in the past 100 years is more than sharp enough to make super-sharp pictures if you know what you're doing. The only limitation to picture sharpness is your skill as a photographer. It's the least talented who spend the most time worrying about lens sharpness and blame crummy pictures on their equipment rather than themselves. Skilled photographers make great images with whatever camera is in their hands; I've made some of my best images of all time with an irreparably broken camera! Most pixels are thrown away before you see them, but camera makers don't want you to know that. If you still care, this lens is flawlessly sharp at every aperture from center to corner. The only thing you can do wrong is stop down too much, because the laws of physics are such that it's supposed to be soft at f/22 and f/32 due to diffraction. Only use f/32 if you really need it. If you're not getting ultra-sharp pictures with this, be sure not to shoot at f/22 or smaller where all lenses are softer due to diffraction, always shoot at ISO 100 because cameras become softer at ISO 200 and above, avoid shooting across long distances over land which can lead to atmospheric heat shimmer, be sure everything is in perfect focus, set your camera's sharpening as you want it and be sure nothing is moving, either camera or subject. If you want to ensure a soft image with any lens, shoot at f/32 at ISO 102,400 at default sharpening in daylight through heat shimmer of rapidly moving subjects at differing distances in the same image.
SpherochromatismSpherochromatism, also called "color bokeh" by laymen, is an advanced form of chromatic aberration in a different dimension than lateral color. It can cause colored fringes on out-of-focus highlights, usually seen as green fringes on backgrounds and magenta fringes on foregrounds. Spherochromatism is common in fast lenses of moderate focal length when shooting contrasty items at full aperture. It goes away as stopped down.
I see no spherochromatism with this lens, it's not that fast so I wouldn't expect to.
Image StabilizationThe built-in stabilization works wonders. I can handhold with perfect sharpness at 18 to 1/15 of a second! "Percent Perfectly Sharp Shots" are the percentage of frames with 100% perfect tripod-equivalent sharpness I get when I'm shooting hand-held while standing with no support. Hand tremor is a random occurrence, so at marginal speeds some frames will be perfectly sharp while others will be in various stages of blur — all at the same shutter speed. This rates what percentage of shots are perfectly sharp, not how sharp all the frames are:
As you can see the 100-200mm's stabilizer adds about three to four stops of real-world stabilization. Astounding is that I can shoot at 1/8 to 1/15 and get perfect tripod-equivalent sharpness almost all the time!
SunstarsWith a 9-bladed rounded diaphragm at large apertures that becomes nonagonal at the smallest apertures, I get 18-pointed sunstars on brilliant points of light only at the smallest apertures. Here's the best you're going to get at f/32. God beams are exaggerating the effect because this is shot in heavy mist at the base of Yosemite Falls: Godbeams and Sunstars at f/32. bigger.
User's GuideTop Sample Images Introduction User's Guide Recommendations More
I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay.
Fujifilm GF 100-200mm. bigger. Full / 5m - ∞ SwitchThis is a focus distance limiter. Leave it in FULL. The 5m - ∞ position prevents the lens from autofocusing closer than 5 meters (16 feet). Use this setting only if you're having a problem with the lens attempting to focus on irrelevant close items, or if for some reason the lens is "hunting" from near to far looking for distant subjects.
OIS ON - OFF SwitchLeave it ON hand-holding. Leave it ON if on a tripod and making short exposures up to about 1/8 second, especially if you're not using the electronic or electronic front-curtain shutter. Leave it OFF when making exposures longer than a second on a tripod, or if you have a very sturdy tripod.
RecommendationsTop Sample Images Introduction User's Guide Recommendations More I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay. This is a superb do-everything telephoto for Fujifilm's GFX series of medium format cameras. Its ultraprecise zooming is great for tripod landscape use, where I always can set the perfect framing easily with a fingertip. I use a clear (UV) protective filter instead of a cap so I'm always ready to shoot instantly. I only use a cap when I throw this in a bag with other gear without padding — which is never. The UV filter never gets in the way, and never gets lost, either. The very best protective filter is the Hoya multicoated HD3 67mm UV which uses hardened glass and repels dirt and fingerprints. For less money, the B+W 67mm 010 is an excellent filter, as are the multicoated version and the basic multicoated Hoya filters, but the Hoya HD3 is the toughest and the best. Filters last a lifetime, so you may as well get the best. The Hoya HD3 stays cleaner than the others since it repels oil and dirt.
More InformationTop Sample Images Introduction User's Guide Recommendations More
I'd get my Fujifilm 100-200mm at Adorama, at Amazon or at at B&H, or used at eBay.
Fujifilm's Lens Roadmap, 25 September 2018
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