Sony SCD-XA777ES. larger.
Sony SCD-XA777ES (35.3 pounds/16kg without cord, about $650 used). larger. This free website's biggest source of support is when you use these links, especially this link directly to them at eBay (see How to Win at eBay), when you get anything, regardless of the country in which you live. Thanks! Ken.
The Sony SCD-XA777ES was Sony's $3,000, 36-pound (16 kg) flagship single CD and SACD player of 2001-2004. Sony fielded this player mostly as a "halo" product and to promote the SACD format. It plays both CDs and SACDs.
As the "777" model number tells us, Sony planned for this to be their greatest player ever.
It has both RCA coaxial and TOSLINK optical digital outputs (for CD only), and has both stereo analog as well as a dedicated six-channel analog output for 5.1 multichannel SACDs.
Better than modern players with only HDMI multichannel outputs for ratty A/V receivers, this Sony beauty has six discrete analog outputs from six premium DACs to feed to six channels of premium amplification. (one of these six is the "0.1" mono subwoofer output.)
Since it has six ultra-high-quality DACs for the six channel outputs, in stereo mode, it sums three DACs together for each stereo channel, lowering DAC noise and random distortion and artifacts by 10 dB compared to the performance of just one of them — and each one is as good as Sony knew how to do.
This player measures and sounds wonderful.
Much better than the jitter problems present with connecting any external DAC, this player, as all one-box players, locks its DACs directly to the crystal-controlled internal master clock and controls the platter speed as part of a servo loop controlled by the state of fill of the FIFO (first-in, first-out) read buffers, so jitter is a non-issue. Jitter is only a significant issue for playback if attempting to send a digital signal over an external cable between boxes where the platter speed isn't controlled by the DAC clock, and the DAC has to reconstruct a clock signal from the data stream instead. As you can see at the 10 kHz FFT, it's cleaner than high-end external DACs today.
2-channel stereo and 6-channel (5.1) outputs.
2 V RMS full-scale into at least 10kΩ.
Headphones: 10 mW into 32Ω (565 mV).
Optical TOSLINK: -18 dBm at 660nm (CD only).
Coaxial: 500mV peak-to-peak into 75Ω (CD only).
2 ~ 100,000 Hz, no conditions specified, making these numbers a meaningless waste of ink.
2 ~ 20,000 Hz, no conditions specified, making these numbers a meaningless waste of ink.
2 ~ 50,000 Hz @ -3 dB.
2 ~ 20,000 Hz ± 0.5 dB, EIAJ.
At least 108 dB.
More than 99 dB.
Less than 0.0018% (-95 dB).
Less than 0.002% (-94 dB), EIAJ.
120 VAC, 60 cps.
32 to 38 watts rated power consumption.
Measured power consumption at 120 VAC:
Off: 0 watts, a true disconnect from the power line.
Idle (motor not spinning): 17 watts.
Playing: 19 watts.
Playing and driving 600Ω headphones: 20 watts.
Size, including projections
430 × 130 × 380 millimeters, WHD.
17 × 5 1/8 × 15 inches, WHD.
35.3 pounds (16 kg or 565 oz.), rated.
Made in Japan.
Multi-Channel Super Audio CD Playback Capability.
CD/CD-R/CD-RW Playback Capability.
Tri-Powered Super Audio D/A Converter System.
Multi-Channel Direct Stream DigitalTM Decoder.
Multi-Channel Management System.
Discrete Laser/Optical Pick Up System with Dual Lasers.
Direct Digital Synch D/A Clock System.
Direct Disc Selection plus Track Access via Jog Dial Control.
32 Step Programming.
All Disc/All Track Repeat Functions via Remote (only).
SACD Text/CD Text Capability.
Fixed Line Output.
Unbalanced Audio Output.
Optical and Coaxial Digital Outputs for CD Selection.
6 Multi-Channel Analog Output, plus Stereo Line Level Output for CD and SACD.
Control A-1 II for Connection to Sony Components.
Frame and Beam Chassis Construction.
Dual R-Core Power Transformers.
Triple Audio Boards.
Gold Plated Line Outputs.
Aluminum Front Panel.
Off-Center Insulator Feet.
Dual User Assembly Optimized for SACD/CD Playback.
Three pairs of stereo (red & white) RCA cords.
Two mono (black) RCA cords.
RM-SX700 Remote Commander with two Sony AA cells.
AC power cord, 8 feet (2.5m).
Reproduction this fine can really only be appreciated with the highest-definition transducers, like the Stax Omega II headphones. Used with the Stax and a good recording, close your eyes and you can see the performers, see them move around, see them turn pages, change fingerings, sing along, and creek in their chairs.
Sadly, with damaged discs, the 777ES will stop tracking before much cheaper players. Discs that hiccup on the SONY SCD-XA777ES often play fine on crappy CD players, so if you're a huge fan of the CD collection at your public library, this might not be the best player. A way to fix a spotty disc is simply to burn a new copy in your Mac; the computer's error correction usually repairs the minor problems that hang-up the 777ES and make a perfect new copy which the 777ES plays perfectly.
With SACDs, the XA-777ES' sound is also smooth and detailed. Even my original 1979 Cleveland Winds digital recording as reissued on SACD sounds stunningly smooth and natural, with none of the digital glare detractors thought it had when originally released on LP and CD. That first digital recording scared the pants off most of us when we heard it the first time for its dynamics. Today, the dynamics and virtuoso performance is there, and so is the naturalness.
A Sony D-E406CK (a battery-powered Discman bought at a thrift store for $6) sounds about the same, but with much less output, maybe a tiny bit more noise, but adds shock resistance, adds on-player forward and rewind controls, needs no power switch or power cord, and plays through damaged discs with no problem. Admittedly on my Stax, its sound may have lost a lot of life compared to the output from the SCD-XA777ES, but that needs more listening. I'd rather have the Stax and a $6 player than cheaper headphones with this player and a $5,000 power cord, but that's just me. Thank God I'm an music lover and not an audiophile.
The internal headphone amplifier is much better for good, high-impedance headphones than the weak output of an iPod.
It's almost loud enough with a 600Ω Beyer DT880 even for classical recordings, and more than enough for popular recordings.
The level control sounds like it has a linear taper, meaning that the level doesn't get much louder past 12 o'clock. The two channels track very well at any setting you'll ever actually use.
The XA777ES is a 35+ pound all-metal beast. The headphone knob is plastic (and lacks the LED of the Sony CDP-X303ES), but the other buttons, the AMS knob and everything else are all metal. I'll bet you it has a lead weight inside; electronics really don't need to weigh this much, so Japanese makers often load weights under the guise of "stabilizers" into the case to pad it up. In any case, it feels good!
Track selection is fast and simple with the AMS knob. Pop a disc in the tray, spin the AMS knob, and the player is smart enough to load the disc and start playing.
There is no forward and backward scan button; you only can do that from the remote. Don't fear if your SCD-XA777ES comes with no remote; most any Sony CD player remote works fine for basic playback controls.
Likewise, the only way to set the REPEAT options is with the remote control.
The buttons are clear and simple, but I'd still like them even bigger and bolder.
Likewise, the PLAY and PAUSE LEDs are just small dots above each button. I'd love it if they backlit the symbol on each button.
While the drawer is wonderfully smooth, solid and quiet, the spindle motor is slightly audible if you're only a couple of feet away.
Measurements (CD) top
All these measurements are made in 2012 on a player that was built in 2002, on the CD section only, playing the CBS CD-1 engineering test disc stamped in 1983.
The traces from the Rohde & Schwarz UPL laboratory analyzer are color coded for the Left Channel and for the Right Channel. When they don't lie on top of each other, it's due to channel imbalance.
Output Level, CD at 0 dBFS
1.9649V RMS left, 1.9403V RMS right, 200 kΩ load.
This is 0.21 dB shy of 2 V.
Output Source Impedance
110.2 Ω at 1 kHz. Same at 50 Hz and 20,000 Hz.
About 3.5V RMS. See Headphone Amplifier Measurements.
-105 dBV A-weighted, playing digital zeros.
Since 0 dBFS is +6 dBV, this is a 111 dB signal to noise ratio, the highest I've measured for 16-bit playback.
Line output at 0 dBFS, 200kΩ load. (CBS CD-1 track 11, R&S UPL.)
That's pretty flat. Let's greatly increase the vertical scale and see what happens:
Line output at 0 dBFS, 200 kΩ load. (CBS CD-1 track 11, R&S UPL.)
+0, - 0.07 dB is pretty flat. The biggest thing to note is that the channels are imbalanced by 0.107 dB, that is, the right channel is 0.107 dB lower than the left.
The -0.07 dB at 20 kHz response is quite likely due to the interconnect cable's capacitance. The SCD-X777ES' source impedance is 110 Ω, so only 600 pF would cause the same loss at 20 kHz.
Let's see what happens driving a 600 Ω resistor:
Line output at 0 dBFS, 600 Ω load. (CBS CD-1 track 11, R&S UPL.)
Aha! A half dB drop at 10 Hz. Obviously there is a coupling capacitor in there, but no big deal, the SCD-XA77ES isn't supposed to be driving 600 Ω loads from its -10 dBu RCA outputs.
And now let's see what the "Digital Filter" option does:
"Digital Filter: Option" response, line output at 0 dBFS, 200 kΩ load. (CBS CD-1 track 11, R&S UPL.)
Setting the "Digital Filter" to "Option" drops the response 2 dB at 20 kHz. I doubt anyone will ever hear this.
THD: 0.0006% (-104 dB)
Harmonic spectrum, line output, undithered 1kHz at 0 dBFS. (CBS CD-1 track 1, R&S UPL.)
Sony SCD-XA777ES THD, line output, undithered sine wave at 0 dBFS, 22kHz bandwidth. (CBS CD-1 track 11, R&S UPL.)
Harmonic spectrum, line output, undithered 1kHz sine wave at -20 dBFS. (CBS CD-1 track 18 index 6, R&S UPL.)
Jitter Output Spectra
As we can see (OK, as any engineer can see), jitter is well below audible limits. Even if you use a poorly-designed external DAC with no jitter rejection for some reason it ought to work great.
Sony SCD-XA777ES digital output jitter, Coax output, 3-foot cable. (roll-over to compare to optical.)
This is close to the limits of the analyzer, except for the spikes at 44.1 and 88.2 kHz, which are still tiny at 0.001 of a Unit Interval.
Sony SCD-XA777ES digital output jitter, TOSLINK output, 12-foot optical cable.
This is at the limits of the analyzer, except again for the minor spikes.
Let's see a zoomed FFT of a 10 kHz sine wave. Let's see what sort of spurs surround the carrier, which show us internal jitter:
Zoomed spectrum of 10 kHz 0 dBFS sine wave. (CBS CD-1 track 9, R&S UPL.)
This is very good; I haven't seen any external DAC be able to beat this. The skirt doesn't start to spread until -120 dB!
IMD spectrum at 11 kHz and 12 kHz 1:1. (CBS CD-1 track 13, index 2, R&S UPL.)
1,002.27 Hz 0 dBFS square wave. (CBS CD-1 track 16, R&S UPL.)
This is very clean, note how the strongest even-order component is only -81dB, and only on the right channel (in yellow).
Let's select the optional digital filter and see what happens:
1,002.27 Hz 0 dBFS square wave. (CBS CD-1 track 16, R&S UPL.)
As expected, the 21 kHz component dropped a few dBs.
55.6 Ω at 1 kHz. Same at 50 Hz and 20,000 Hz.
Maximum Output Levels at maximum gain, 0 dBFS
200kΩ load: 3.818V left, 3.755V right @ 0.0004% THD.
600 Ω load: 3.495V, 3.438V @ 0.0005% THD.
300 Ω load: 3.222V, 3.171V @ 0.001% THD.
37.5 Ω load: 0.715V, 0.718V @ 0.1% THD (gain about 2 o'clock before clipping).
Level Control Channel Tracking
Right channel level versus left channel, vs. Headphone level setting. (positive means image moves to right. R&S UPL.)
Headphone output driving 600 Ω resistor. (CBS CD-1, track 11. R&S UPL.)
Obviously, the 55 Ω source impedance is letting the Edition 8's impedance hump boost the bass a bit.
Headphone output THD driving a 600 Ω resistor. (CBS CD-1, track 11. R&S UPL.)
The Sony SCD-XA777ES has a standard HP power connector to which you need to attach the power cord of your choice. The US model seen here comes with a standard generous Sony-gray 8-foot (2.5m) power cord.
The manual cautions that SACD output is loaded with strong ultrasonic noise, so don't crank the levels during silence or you could fry your tweeters silently.
Sony says don't try to play discs with stickers.
Oddly only the connectors for the stereo output, or the connectors for the multichannel outputs, work at any one time.
Sony does this to emphasize the fact that they use all six DACs in parallel to create the stereo output, however this also means that one cannot get stereo output from the front left and front right connectors; it only comes from the dedicated stereo connectors.
This is great if you want the stereo output to connect to one place and the multichannel output to connect someplace else (as on a Sony receiver), but also means that you can't use the same outputs for both stereo and multichannel if that's how you setup your system.
Since the internal headphone amplifier is fed from the stereo output pair, the headphones won't work during multichannel output.
The only advantage for this is if you're wasting this great player with an A/V receiver, in which case by connecting the different outputs separately lets the receiver know what you're doing as you select each one: have stereo play as pure stereo, and maybe have your receiver screw with the 5.1 to model it to your speaker field.
Honestly, though, you could plumb the stereo outputs to your dedicated stereo rig, and send the multichannel outputs to your multichannel setup, keeping the two separate. There is no remote control of output level as there is on the Sony CDP-X303ES.
It's silly to use an analog masterpiece like this with an external DAC, but if you must, be sure to activate the digital outputs with the MENU button and the AMS knob.
If you don't the TOSLINK LED remains lit dimly, just enough to confuse folks into into thinking that the digital outputs are active.
When you do activate the digital outputs, the TOSLINK LED is very bright.
For about $650 used, the Sony SCD-XA777ES is a spectacular chunk of audio playback hardware and arguably the best CD player ever made. Enjoy the analog outputs for a jitter-free listening experience, especially if you're a 5.1 fan.
If you've found my research helpful, this free website's biggest source of support is when you use these links, especially this link directly to them at eBay (see How to Win at eBay), when you get anything, regardless of the country in which you live. Thanks! Ken.
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