Nikon 70-300mm f/4.5-5.6GFX (2000-)Intro Format Compatibility Specs Performance Compared Recommendations Nikon 70-300mm f/4.5-5.6 G (62mm filters, 17 oz./480g, 4.9'/1.5m close focus, about $170). bigger. I'd get mine at Adorama, at Amazon or at B&H. This all-content, junk-free website's biggest source of support is when you use those or any of these links to my personally-approved sources when you get anything, regardless of the country in which you live. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, non-USA, store demo or used lens. Get yours only from the approved sources I use myself for the best prices, service, return policies and selection. Thanks for helping me help you! Ken.
April 2018 Nikon Reviews Nikon Lenses Nikon Flash All Reviews
IntroductionTop Intro Format Compatibility Specs Performance Compared Recommendations
This lens only costs about $170 brand new. I've used this lens and it works just great on FX if you're cheap, especially if you use a tripod. For DX digital cameras, get a DX lens, not this one. The 70-300mm G is very lightweight and has a broad zoom range. At 200mm - 300mm it's soft at large apertures, which may be great for portraits but bad for landscapes. If using it for landscapes just put it on a tripod and stop down to f/11 at 300mm. If you want complete sharpness wide open at 200 mm and beyond get either of the newest FX 70-300mm AF-P VR or DX 70-300mm AF-P VR.
Nikon 70-300mm G. enlarge.
FormatTop Intro Format Compatibility Specs Performance Compared Recommendations This is a full frame FX lens, and I'm reviewing it as such. It usually works on DX cameras, but any DX tele works much better.
CompatibilityTop Intro Format Compatibility Specs Performance Compared Recommendations This lens works perfectly with every FX digital camera. It also works on better DX cameras, but won't autofocus on many DX cameras. For DX cameras, any DX telephoto is worlds ahead of this lens. This lens works great with most 35mm autofocus cameras, but won't work with any manual-focus cameras. See Nikon Lens Compatibility for details on your camera. Read down the "AF, AF-D (screw)"and "G" columns.
SpecificationsTop Intro Format Compatibility Specs Performance Compared Recommendations
NameNikon calls this the Nikon AF Nikkor 70-300mm f/4-5.6G. AF: Autofocus. NIKKOR: Nikon's brand name for all their lenses. G: Gelded; has no aperture ring.
Optics13 elements in 9 groups. Front-group focus. Pumper zoom.
Coverage
Diaphragm9 straight blades.
Close Focus4.9 feet (1.5m), which is pretty good at 300mm.
FiltersPlastic 62 mm filter thread.
HoodNikon HB-26 hood. It takes the HB-26 hood which seems identical to the HB-15 hood of the 70-300 ED lens.
Size4.6" (117mm) long by 2.9" (74mm) around.
Weight17 oz (480g).
Nikon Product Number1928.
Price, USA$170, April 2018. $140, April 2008 (the gray-market version was the deal of the century for only $110 here). Nikon 70-300mm G USA box.
PerformanceTop Intro Format Compatibility Specs Performance Compared Recommendations
Overall Autofocus Distortion Maximum Apertures Mechanics Vibration Reduction Sharpness
OverallFine at most focal lengths, soft at 200 to 300 mm wide open. Stop it down for best results at longer zoom settings.
AutofocusAutofocus speed is identical to the 70-300mm f/4-5.6D ED AF, which is slow. One full turn of the AF screw brings one from infinity to 40 feet. The 70-210mm f/4-5.6D AF is much, much faster.
DistortionOn DX: 70mm: tiny bit of barrel distortion 90mm: no distortion. 100mm: fairly neutral, just the tiniest bit of pincushion. 135mm: very minor pincushion 200mm: pincushion 300mm: pincushion Maximum Apertures70mm: f/4 100mm: f/4.2 135mm: f/4.2 200mm: f/5 240mm: f/5.3 300mm: f/5.6
Mechanical QualityPlastic mount. HoodPlastic bayonet.
Front BumperNone.
Filter ThreadsPlastic.
Hood Bayonet MountPlastic.
Front BarrelPlastic.
Focus RingPlastic.
Zoom RingRubber-covered plastic.
Rear BarrelPlastic.
IdentityPrinted around the barrel near the mount.
InternalsPlastic.
Dirt Seal at MountNo.
MountNikon 70-300mm G plastic mount. Plastic.
MarkingsPaint.
Serial NumberNikon 70-300mm G bottom. Sticker glued into recess in the bottom of the lens barrel.
Made inChina.
Vibration ReductionOn my D70 I can hand-hold it fine down to about 1/125 at 300 mm, at which point only about 50% of my shots are clear. Light weight works against you here, since a heavier lens would do a better job of stabilizing the setup. Of course the 80 - 400 VR lens stabilizes everything, but for over ten times the price you get less than ten times the stabilization with the 80 - 400 VR.
SharpnessAs tested on a DX digital camera. It will be difficult for many people to get sharp images at the longer focal lengths because one will need to use smaller apertures, but that leads to longer shutter speeds and more potential for blur. Blur is also a problem because this such a lightweight lens. Big fat telephotos help stabilize camera shake due to their weight alone, and others incorporate additional special active stabilization. This $170 G lens has none of that, so don't blame softness on just the lens since it just as likely could be your technique.
70 mm: f/4: sharp center,
a little soft corners
100 mm: f/4.2: sharp center,
softer corners
135 mm: f/4.2: reasonably
sharp center, soft corners
200 mm: f/5: soft; secondary
lateral chromatic aberration
300 mm: f/5.6: Soft, or pleasant
spherical aberration for portraits. Secondary
lateral chromatic aberration. At 300 mm focus isn't always dead-on, either. Watch out for narrow depth of field as well at f/5.6. Try f/5.6 for deliberate soft focus effects, since that's what happens at f/5.6.
ComparedTop Intro Format Compatibility Specs Performance Compared Recommendations It seems identical to the $310 AF 70-300mm f/4-5.6D ED with the exception of being half the price and having a plastic lens mount bayonet instead of metal. The ED version is also mostly plastic. Even the hoods and AF gearing are the same. I doubt the glass is any different between the ED and this G version. Remember that the ED version really seems to be made by Tamron and only one small internal element claims to be ED probably for marketing and promotional reasons, not any of the important front elements. I don't really consider that the "ED" moniker means anything on the ED version. The only visible differences between the G and ED are: 1.) ED lens has metal mount, G has plastic. (also a slight difference in weight) 2.) ED has aperture ring, G does not. The G is easier to use for cameras made in the past ten years, and the ED can work even on ancient and manual focus film cameras. The similarities are: 1.) Same specs for number of lens groups and elements 2.) Same size 3.) Same AF speed and gearing 4.) Same close focus distance 5.) Same nice 9-blade diaphragm 6.) Looks like the same optics inside and identical movement of the lens groups while zooming and focusing Yes, compared to a professional lens like the huge $900 80 - 200 mm f/2.8 or $1,500 80 - 400 VR it's dinky. This is Nikon's cheapest and nastiest 70-300mm lens ever. In the right hands it takes great pictures, but do have a look at the new state-of-the-art FX 70-300mm AF-P VR and DX 70-300mm AF-P VR for much better results, especially because of Vibration Reduction.
RecommendationsTop Intro Format Compatibility Specs Performance Compared Recommendations If you are looking for a cheap, lightweight zoom for film or FX this is excellent for the price. I can't see any reason to buy the so-called ED version over this except for the metal mount and compatibility with my manual focus cameras. For DX digital cameras, I'd suggest any Vibration Reduction (VR) lens instead, especially the 55-300mm VR or DX 70-300mm AF-P VR. For $170 US how can you go wrong? Idiots on eBay keep bidding the prices of these up above what they could buy them for new from a legitimate dealer! Try one and if you hate it send it back. If you stop it down a little or don't zoom beyond 200 mm its images look the same as the $1,000 lenses. Just don't expect it to last in heavy, daily professional abuse. It keeps your money in your pocket where it belongs. You could spend a week in France for the $1,000 difference and make a zillion eye-popping photos you wouldn't get with a more expensive lens sitting at home. It's well worth the $170 - on FX. Don't use this on DX; use a DX lens. I use a clear (UV) protective filter instead of a cap. I only use a cap when I throw this in my bag, otherwise I leave a clear filter on my lens at all times. The very best protective filter is the Hoya multicoated HD3 62mm UV which uses hardened glass and repels dirt and fingerprints. For less money, the B+W 62mm 010 is an excellent filter, as are the multicoated version and the basic multicoated Hoya filters, but the Hoya HD3 is the toughest and the best. Filters last a lifetime, so you may as well get the best. The Hoya HD3 stays cleaner than the others since it repels oil and dirt. Even if it costs half as much as this lens, you'll be using this filter long after you've replaced this lens. I'd get my 70-300 at Adorama, at Amazon or at B&H. This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, non-USA, store demo or used lens. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new camera before you do. Buy only from the approved sources I use myself for the best prices, service, return policies and selection. Thanks for helping me help you! Ken, Mrs. Rockwell, Ryan and Katie.
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15 April 2018, April 2008, December 2006, 14 July 2005