Nikon Z 28mm f/2.8Full Frame "Special Edition" (2021‑)Sample Images Intro New Good Bad Missing Format Compatibility Specifications Z9 Z8 Z7 II Z6 II Zf Z7 Z6 Z5 Z fc Z50 Z30 Z System Z Lenses All Nikon Lenses Flash Nikon Z 28mm f/2.8 Special Edition (52mm filters, 5.7 oz./160g, 0.63'/7.5"/0.19m close focus, $297). bigger. I got mine at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay.
This 100% all-content, junk-free website's biggest source of support is when you use those or any of these links to my personally approved sources I've used myself for way over 100 combined years when you get anything, regardless of the country in which you live — but I receive nothing for my efforts if you get it elsewhere. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, dropped, incomplete, gray-market, store demo or used lens — and all of my personally approved sources allow for 100% cash-back returns for at least 30 days if you don't love your new lens. I've used many of these sources since the 1970s because I can try it in my own hands and return it if I don't love it, and because they ship from secure remote warehouses where no one gets to touch your new lens before you do. Buy only from the approved sources I've used myself for decades for the best prices, service, return policies and selection.
March 2022 Better Pictures Nikon Mirrorless Mirrorless Lenses All Nikon Lenses Nikon Flash All Reviews Z 28mm f/2.8 Special Edition on a Nikon Z fc. bigger.
Sample Images topSample Images Intro New Good Bad Missing Format Compatibility Specifications More samples throughout this review at Bokeh, Macro, Spherochromatism and Sunstars. These are just snapshots; my real work is in my Gallery. These are all shot hand-held as BASIC ★ JPGs; no tripods, NORMAL or FINE JPGs or RAW files were used or needed. Canary Palm, 8:11 AM, Sunday, 11 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE wide-open at f/2.8 at 1/200 at Auto ISO 64 (LV 11¼), Perfectly Clear. bigger or camera-original 45 MP © 9 MP JPG file.
San Diego Fire Rescue, 9:16 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/125 at Auto ISO 64 (LV 13.6), as shot. bigger or camera-original 45 MP © 7 MB JPG file. You're not seeing falloff; you're seeing a mid-20th century fire truck's curved door.
American Power, 9:16 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/20 at Auto ISO 64, +0.7 stops exposure compensation (LV 11.0), Perfectly Clear. bigger or camera-original 45 MP © 8.5 MP JPG file.
American Power, 9:17 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/15 at Auto ISO 110 (LV 11.8), Perfectly Clear. bigger or camera-original 45 MP © 8 MB JPG file.
Portrait in Polished Brass, 9:32 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/200 at Auto ISO 64 (LV 14.3), Skylum Aurora HDR from my one JPG file. bigger or camera-original 45 MP © 8 MB JPG file.
Window Stickers, 9:34 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/200 at Auto ISO 64 (LV 14.3), Perfectly Clear. bigger or camera-original 45 MP © 10 MB JPG file.
Palms & Plants, 10:34 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/8 at 1/250 at Auto ISO 64 (LV 14.6), Perfectly Clear. bigger or camera-original 45 MP © 9 MB JPG file.
Red & Green, 10:35 AM, Saturday, 19 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 SE at f/16 at 1/30 at Auto ISO 64 (LV 13.6) as shot. bigger or camera-original 45 MP © 9 MB JPG file.
Introduction topSample Images Intro New Good Bad Missing Format Compatibility Specifications
This is a tiny full-frame wide-angle lens. It's all plastic and very light, with sharp optics. Just turn the programmable manual focus ring at any time for instant manual-focus override. It has the same optics and the same price as the regular Nikon Z 28mm f/2.8; pick yours based on cosmetics. I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay.
New intro topNikon's first tiny full-frame lens for full-frame mirrorless.
Good intro topSharp. Close focusing. Tiny. Weightless. Programmable focus ring.
Bad intro topDisposable all-plastic construction (the optics are mostly glass).
Missing intro topNo switch for in-camera Stabilization. Only stops down to f/16. No AF/MF switch. No aperture ring. No mounting index on silver-colored grip ring. No case included (so?). No dedicated hood included or available (so?).
Nikon Z 28mm f/2.8 Special Edition. bigger.
Format topSample Images Intro New Good Bad Missing Format Compatibility Specifications I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay. This is a full frame FX lens, and I'm reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences.
Compatibility topSample Images Intro New Good Bad Missing Format Compatibility Specifications I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay. This lens works only on Nikon's Z-series mirrorless cameras. It does not so much as even mount on any other camera.
Specifications topSample Images Intro New Good Bad Missing Format Compatibility Specifications
I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay.
Name specifications topNikon calls this the Nikon NIKKOR Z 28mm f/2.8 (SE):NIKKOR: Nikon's brand name for all their lenses. Z: For Nikon's mirrorless cameras. SE: Special Edition; styled to look like one of Nikon's classic manual focus lenses. Ø52mm: 52mm filter thread.
It also has: AF-P: Stepper (Pulse) autofocus motor. Aspherical: Specially curved glass elements for sharper pictures. D: Couples distance information to the 3D Matrix Meter. G: Gelded; has no aperture ring. IF: Internal focusing; nothing moves externally as focused.
Optics specifications topInternal optical construction. Aspherical elements. 9 elements in 8 groups. 2 Aspherical elements. Multi-group Internal focussing. Nikon Super Integrated multicoating (SIC).
Diaphragm specifications topNikon Z 28mm f/2.8 Special Edition. bigger. 7 rounded blades. Electronically actuated. Stops down to f/16.
Filters specifications topPlastic 52mm filter thread.
Focal Length specifications top28 mm. When used on DX cameras, it sees the same angle of view as a 43 mm lens sees when used on an FX or 35mm camera. See also Crop Factor.
Angle of View specifications top75º diagonal on FX. 53º diagonal on DX.
Focus Scale specifications topNo. Not on lens, but may be displayed in-camera.
Infinity Focus Stop specifications topNo. You have to focus somehow to get precise focus at infinity, just like at every other distance.
Depth of Field Scale specifications topNo. Not on lens, but may be displayed in-camera.
Infrared Focus Index specifications topNo.
Close Focus (distance from subject to image plane) specifications top0.63 feet (7.5" or 0.19 meters).
Maximum Reproduction Ratio specifications top1:5 (0.20 ×).
Reproduction Ratio Scale specifications topNo.
Image Stabilizer specifications topNone.
Caps specifications topNikon 52mm front cap, included. LF-N1 Z-mount rear cap, included.
Hood specifications topNone needed or available; this lens doesn't have a dedicated bayonet on which to mount a hood. If you need a hood, use a generic rubber screw-in 52mm hood.
Size specifications top2.9" ø maximum diameter × 1.7" extension from flange. 71.5 mm ø maximum diameter × 43 mm extension from flange.
Weight specifications top5.7 oz. (160 g).
Quality specifications topNikon Z 28mm f/2.8 Special Edition. bigger. Made in Thailand.
Announced specifications top12:03 AM, Tuesday, 29 June 2021, NYC time.
Promised for specifications topKitted with the Z fc: Late July 2021. By itself: Fall 2021.
Included specifications topNikon 52mm front cap, included. LF-N1 Z-mount rear cap.
Packaging specifications topNikon Z 28mm f/2.8 Special Edition. bigger. Corrugated cardboard box with corrugami internals.
Nikon's Model Number specifications top20110.
Price, U. S. A. specifications topMarch 2022$297 at B&H, at Adorama, at Amazon (sort of) and at Crutchfield.June 2021$297 at Adorama and at B&H.
Performance topSample Images Intro New Good Bad Missing Format Compatibility Specifications
Overall Autofocus Manual Focus Breathing Bokeh Coma Distortion Ergonomics Falloff Filters Flare & Ghosts Lateral Color Fringes Lens Corrections Macro Mechanics Sharpness Spherochromatism Stabilization Sunstars
I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay.
Overall performance topThis is a great little lens. It's super-sharp for everything. It's not quite as contrasty in the far corners of FX wide-open at f/2.8 due to sagittal coma flare so it's not perfect for astronomy, but you'll never notice that in real photography of things here on earth unless you like to count every pixel.
Autofocus performance topAutofocus is as fast every other similar lens. What's nifty is that it's essentially silent.
Manual Focus performance topManual focus is wonderful. Nikon is the world leader in electronic manual focus. Just grab the electronic focus ring at any time for instant manual-focus override anytime the camera is awake. It moves with just fingertip. Better than any other brand, even if you're in AF-C and move the manual-focus ring, it just swaps to manual focus instantly and stays where you set it. Other brands will try to fight you for focus if you're in continuous AF, while this lens just does what you tell it to do. Bravo! There is no AF/MF switch; you have to set this in a menu or assign control to a function button.
Focus Breathing performance topFocus breathing is the image changing size as focused in and out. It's important to cinematographers that the image not breathe because it looks funny if the image changes size as focus gets pulled back and forth between actors. If the lens does this, the image "breathes" by growing and contracting slightly as the dialog goes back and forth. The image gets smaller as focused more closely. I doubt it would be that noticeable in actual use.
Bokeh performance topBokeh, the feel, character or quality of out-of-focus areas as opposed to how far out of focus they are, is good. Blur circles are just circles and don't distract. Here's a snap from headshot distance wide-open. I'm focused on the DAVIS logo. Click for the © camera-original file: Made-in-U. S. A. Davis 6250 weather station, 8:35 AM, 11 March 2022. Nikon Z9, Nikon Z 28mm f/2.8 at f/2.8 at 1/2,500 at Auto ISO 64, +0.7 stops exposure compensation, (LV 14.9). bigger or camera-original 45 MP © 4 MB file. As always, if you want to throw the background as far out of focus as possible, shoot at f/2.8 and get as close as possible.
Coma performance topComa, or sagittal coma flare, is often seen with fast normal to wide lenses as weird batwing shapes on bright points of light in the corners at night. This lens has some coma at f/2.8 in the corners on full-frame, which greatly improves at f/4 and is completely gone by f/5.6.
Distortion performance topThe Nikon Z 28mm f/2.8 SE has no visible distortion as automatically corrected on my Z9. For more critical scientific use, use a factor of +0.5 in Photoshop's lens correction filter to camera-corrected images. If you shoot raw data rather than JPG images, whatever software you use to create visible images from raw data may or may not correct the distortion as is done in-camera with JPGs. You're on your own there; I don't bother with raw data.
Ergonomics performance top
No mysteries here: there's one programmable ring, which defaults to an always-active manual focus ring. You can reprogram it in your camera. There's no AF/MF switch; you have to set this in the camera's menu system. There's no VR switch for in-camera stabilization; you have to set this in your camera's menu system. What old-timers think is an aperture ring isn't; it's just a grab ring for mounting and unmounting.
Falloff performance topFalloff on full frame is negligible. I've greatly exaggerated the falloff by shooting a gray field and placing these on a gray background; it will not look this bad in actual photos of real things:
If I go out of my way to disable the default vignette correction it's stronger at f/2.8, but otherwise not distracting even at f/4. Again, I'm greatly exaggerated by shooting a gray field and placing these on a gray background:
Filters, use with performance topThere's no need for thin filters. I can stack several regular screw-in 52mm filters without vignetting on full-frame. Go ahead and use your standard rotating polarizer and grad filters.
Flare & Ghosts performance topThere are no ghosts or flare. See examples at Sunstars.
Lateral Color Fringes performance topNikon cameras correct for any lateral fringes automatically; there's no way to turn this correction on or off. I don't see any significant lateral color fringes If you shoot raw and then use non-manufacturer software to process that data into images then there is the possibility that there might be some. There is strong spherochromatism, which can cause color fringes on things that aren't in perfect focus at large apertures. Spherochromatism is a completely different aberration in a different dimension than lateral color fringes.
Lens Corrections performance topNikon's Z cameras correct for any or all of distortion, diffraction and falloff (vignette control). Distortion correction is always active; it can't be turned off. Diffraction and falloff (vignette control) may be turned ON or OFF and vignette control has four settings of HIGH, NORMAL, LOW and OFF. Nikon's Z cameras always correct for lateral color fringes (lateral chromatic aberration). This is part of Nikon's secret sauce and never appears in any menu; it's always ON. If you shoot raw data rather than JPG images, whatever software you use to create visible images from raw data may or may not correct these as is done in-camera with JPGs. You're on your own there; I don't bother with raw data.
Macro Performance performance topMacro gets about as close as most other lenses:
Wide Open at f/2.8It's not that sharp wide-open at f/2.8 at very close distances due to spherochromatism: Casio G-Shock Solar Atomic Watch at close-focus distance, 11 March 2022. bigger or original Z9 © file.
1,200 × 900 pixel (6.8× magnification) crop from above. bigger or original Z9 © file. If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, the complete image would print at a large 14 × 21″ (35 × 55 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, the complete image would print at a huge 27½ × 41¼″ (70 × 105 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, the complete image would print at a mammoth 55 × 82½″ (1.4 × 2.1 meters) at this same extremely high magnification!
At f/8Like all lenses, it's super-sharp at f/8: Casio G-Shock Solar Atomic Watch at close-focus distance, 11 March 2022. bigger or original Z9 © file.
1,200 × 900 pixel (6.8× magnification) crop from above. bigger or original Z9 © file. If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, the complete image would print at a large 14 × 21″ (35 × 55 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, the complete image would print at a huge 27½ × 41¼″ (70 × 105 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, the complete image would print at a mammoth 55 × 82½″ (1.4 × 2.1 meters) at this same extremely high magnification!
Mechanical Quality performance topNikon Z 28mm f/2.8 Special Edition. bigger. Except for the lens elements and electrical contacts, this is an all-plastic lens, and feels like it. It feels like a toy, however it is very precisely made. Don't pick up or carry your camera by this lens because the plastic lens mount could break, resulting in your camera dropping to the ground. The plastic focus ring is covered in rubber. There's no dust gasket at the lens mount; it simply has a hard plastic lip to try to seal out crud.
Serial NumberNikon Z 28mm f/2.8 Special Edition. bigger. Laser engraved on bottom of barrel.
Date CodeNone found.
Noises When ShakenMild clicking from what sounds like the diaphragm blades.
Made inMade in Thailand.
Sharpness performance topLens sharpness has nothing to do with picture sharpness; every lens made in the past 100 years is more than sharp enough to make super-sharp pictures if you know what you're doing. The only limitation to picture sharpness is your skill as a photographer. It's the least talented who spend the most time worrying about lens sharpness and blame crummy pictures on their equipment rather than themselves. Skilled photographers make great images with whatever camera is in their hands; I've made some of my best images of all time with an irreparably broken camera! Most pixels are thrown away before you see them, but camera makers don't want you to know that. If you're not getting ultra-sharp pictures with this, be sure not to shoot at f/11 or smaller where all lenses are softer due to diffraction, always shoot at ISO 100 or below because cameras become softer at ISO 200 and above, avoid shooting across long distances over land which can lead to atmospheric heat shimmer, be sure everything is in perfect focus, set your camera's sharpening as you want it (I set mine to the maximum) and be sure nothing is moving, either camera or subject. If you want to ensure a soft image with any lens, shoot at f/16 or smaller at ISO 1,600 or above at default sharpening in daylight of subjects at differing distances in the same image. People worry waaaaay too much about lens sharpness. It's not 1968 anymore when lenses often weren't that sharp and there could be significant differences among them; ever since about 2010 all new lenses are all pretty much equally fantastic. This lens is always ultrasharp in the center at every aperture, but has lower contrast in the far corners of full-frame due to sagittal coma flare at f/2.8, which gets better at f/4 and is gone completely by f/5.6. It's always sharp corner-to-corner, just with less contrast in the corners at f/2.8 if you're doing astronomy. Of course the physics of diffraction limit everything at the very smallest apertures, "corrected" or not. Nikon's MTF chart.
Spherochromatism performance topSpherochromatism, also called secondary spherical chromatic aberration or "color bokeh," is an advanced form of spherical and chromatic aberration in a different dimension than lateral chromatic aberration. It happens mostly in fast normal and tele lenses when spherical aberration at the ends of the color spectrum are corrected differently than in the middle of the spectrum. Spherochromatism can cause colored fringes on out-of-focus highlights, usually seen as green fringes on backgrounds and magenta fringes on foregrounds. Spherochromatism is common in fast lenses of moderate focal length when shooting contrasty items at full aperture. It has strong traditional green and magenta spherochromatism if you go looking for it at f/2.8 (it goes away as stopped down): Mondaine A132.30348.11SBB at close-focus distance at f/2.8, 11 March 2022. bigger or camera-original Z9 © file.
1,200 × 900 pixel (6.8× magnification) crop from above. bigger or camera-original Z9 © file. If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, the complete image would print at a large 14 × 21″ (35 × 55 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, the complete image would print at a huge 27½ × 41¼″ (70 × 105 cm) at this same high magnification. If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, the complete image would print at a mammoth 55 × 82½″ (1.4 × 2.1 meters) at this same extremely high magnification!
Image Stabilization (VR) performance topThis native Z lens has no internal optical stabilization, however Internal sensor-shift Image Stabilization (IS or VR (Vibration Reduction)) does amazing things if your camera has it. While it's only about a two-stop real-world improvement, I sometimes get sharp hand-held shots even at two full seconds. The key for sharp long exposures in iffy conditions is to shoot a few or many frames and pick the sharp one. "Percent Perfectly Sharp Shots" are the percentage of frames with 100% perfect tripod-equivalent sharpness I get when I'm shooting hand-held while free-standing with no support or bracing. This is a very strict test; in actual shooting at typical print sizes I get acceptable sharpness at much slower speeds, but for the purposes of seeing how much improvement an IS system gives, this is the most precise method. Hand tremor is a random occurrence, so at marginal speeds some frames will be perfectly sharp while others will be in various stages of blur — all at the same shutter speed. This rates what percentage of shots are perfectly sharp, not how sharp are all the frames:
I see about a two-stop real-world improvement.
Sunstars performance topWith a 7-bladed rounded diaphragm, I get almost nothing for sunstars on brilliant points of light at any aperture. The shots below are the best I could do; good luck! Ignore the crazy rainbow dots at small apertures; these are sensor artifacts caused by taking a picture directly of the sun and exposing for the dark underside of a huge palm tree, and using that same palm tree to hide the sky to accentuate the stars. Click any to enlarge: Click any to enlarge.
Recommendations topSample Images Intro New Good Bad Missing Format Compatibility Specifications I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay. This is a compact, ultralight, high performance and inexpensive lens. It has great glass optics in a cheap plastic mount. If you want to make great pictures rather than accumulate fancy camera heirlooms over which your heirs can fight, this is the lens. This SE Special Edition lens is for people who want a plastic lens that looks like one of Nikon's greatest manual-focus lenses. Personally I prefer practical over cute (I've owned all the real Nikons made ever since 1946 so I'm more impressed by authenticity than tribute), so I'd rather shoot with the Z 24-200mm VR, but that's just me. It's great that we have all these choices. I use a clear (UV) protective filter instead of a cap so I'm always ready to shoot instantly. I only use a cap when I throw this in a bag with other gear without padding — which is never. The UV filter never gets in the way, and never gets lost, either. The very best protective filter is the Multicoated Hoya HD3 52mm UV which uses hardened glass and repels dirt and fingerprints. It's expensive, but it will last forever, long after this lens is forgotten. For less money, the most classic filter to use on a Nikon lens is of course the Nikon 52mm NC. The B+W 52mm 010 is an excellent filter, as are the multicoated B+W, the multicoated Hoya filters and even the most basic Hoya multicoated filter, but the Hoya HD3 is the toughest and the best. Filters last a lifetime, so you may as well get the best. The Hoya HD3 stays cleaner than the others since it repels oil and dirt. For this classic-styled lens the best authentic (rather than bullet- and smudge-proof) filter to use is a genuine classic Nikon 52mm L37c (multicoated 370 nanometer UV). If I was working in nasty, dirty areas, I'd use an uncoated 52mm Tiffen UV filter instead. Uncoated filters are much easier to clean, but more prone to ghosting. All these filters are just as sharp and take the same pictures, the difference is how much abuse they'll take and stay clean and stay in one piece. Since filters last a lifetime or more, there's no reason not to buy the best as it will last you for the next 40 years. Filters aren't throwaways like this lens, like it or not. I'm still using filters I bought back in the 1970s! I got my 28/2.8 SE at B&H. I'd also get it at Adorama, at Amazon or at Crutchfield or eventually used at eBay if you know How to Win at eBay. This 100% all-content, junk-free website's biggest source of support is when you use those or any of these links to my personally approved sources I've used myself for way over 100 combined years when you get anything, regardless of the country in which you live — but I receive nothing for my efforts if you get it elsewhere. Nikon does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, dropped, incomplete, gray-market, store demo or used lens — and all of my personally approved sources allow for 100% cash-back returns for at least 30 days if you don't love your new lens. I've used many of these sources since the 1970s because I can try it in my own hands and return it if I don't love it, and because they ship from secure remote warehouses where no one gets to touch your new lens before you do. Buy only from the approved sources I've used myself for decades for the best prices, service, return policies and selection. Thanks for helping me help you! Ken.
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19-20 March 2022, 12 October 2021, 30 June 2021