Sony A7III

12MP, 10 FPS, ISO 409,800 (H2), 4K/119.88

Intro   Specifications   Accessories

Compared   Recommendations

Sony: A9 III A1 A9 II A9 A7R V A7R IV A7R III A7 IV A7 III A7R II A7S III A7c A7 II A6600 A6400 A6100 A6000 ZV-E10 RX10/4 RX100/7 RX100/6 Flash Lenses

Sony A7S III

Sony A7S II (24.7 oz./699 g with battery and SD card, $3,498) and FE 20/1.8 G. bigger. I'd get mine at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Thanks for helping me help you! Ken.

 

July 2020   Better Pictures   Sony   Sony Lenses   Canon   Nikon   Fuji   LEICA   Zeiss   All Reviews

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Sony A7S III

Sony A7S III. bigger.

 

Sony A7S III

Sony A7S III. bigger.

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Introduction       top

Intro   Specifications   Accessories

Compared   Recommendations

New   Good   Missing

Adorama Pays Top Dollar for Used Gear

Amazon

B&H Photo - Video - Pro Audio

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The A7S III is a lower-resolution, higher-sensitivity version of Sony's A7 series of cameras. It's not so much for still photos as it is for video. It has the same resolution and frame rates as an iPhone for still photos (12 MP at 10 FPS), and also only shoots 4K video, albeit with many more format options than an iPhone.

I'd get my A7S III at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

 

New since A7S II       intro       top

blue ball icon © KenRockwell.com Sony claims it has the world's biggest and brightest 9.44 megadot OLED finder with 0.90× magnification. It has a larger rear element than other Sony cameras so this ought to be a treat.

blue ball icon © KenRockwell.com New NP-FZ100 battery rated 500 shots, up from the A7S II's old NP-FW50 that was only rated 310 shots.

blue ball icon © KenRockwell.com 10 FPS, up from 5 FPS.

blue ball icon © KenRockwell.com First Sony camera to be able to store in HEIF format, just like iPhones and the Canon EOS R5 and R6 already do. HEIF stores 10-bit images in the same space as 8-bit JPGs, but not all software can read it (Macs do).

blue ball icon © KenRockwell.com Phase-detection autofocus.

blue ball icon © KenRockwell.com At least a 1,000-frame buffer when shooting uncompressed RAW at 10 FPS with tracking focus and exposure.

blue ball icon © KenRockwell.com Clever new RGB + IR auto white balance sensor improves auto white balance, especially under artificial lighting.

blue ball icon © KenRockwell.com Celebrating that Sony was founded as an audio company in the 1940s and one of the biggest drivers in the development of digital audio back in the 1970s and 1980s, the A7S III can record four simultaneous audio channels at 24 bits, used with the XLR-K3M XLR adapter. This is the first Alpha camera to do this.

blue ball icon © KenRockwell.com Clever new choices of either locking auto white balance in continuous shooting, or letting it keep changing with the light.

blue ball icon © KenRockwell.com ISO 80~102,400, also ISO 40 (L1) to ISO 409,800 (H2) (video only goes as low as ISO 80). Only the low limit (ISO 80 or 40 (L)) changes from the A7S II; the highest 409,600 (H2) setting remains the same. As a consolation prize, Sony claims that new noise reduction lowers noise at the same ISO by about a stop from the A7S II; we'll see.

blue ball icon © KenRockwell.com Sony's first Alpha camera to work with USB PD (Power Delivery) sources (all of the Canon EOS R series always have).

blue ball icon © KenRockwell.com Sony claims a "completely redesigned" menu system, but whether or not it's good, rather than just differently bad, waits to be seen.

blue ball icon © KenRockwell.com 2.4 oz. (68 g) heavier than A7S II.

blue ball icon © KenRockwell.com First full-frame Sony with an LCD screen that pivots all the way around from the side for self-portraits. All the others only flip up and down, while this A7S III screen finally flips-out as every full-frame mirrorless Canon always has.

blue ball icon © KenRockwell.com Direct digital audio input contacts in the hot shoe for use with the ECM-B1M digital shotgun mic or XLR-K3M XLR adapter & mic kit. No batteries or cables are required; it all comes from the hot shoe.

blue ball icon © KenRockwell.com 4K/119.88p video.

blue ball icon © KenRockwell.com Much less rolling shutter effect.

blue ball icon © KenRockwell.com New "active mode" for handheld video stabilization.

blue ball icon © KenRockwell.com 4K/59.94p 16-bit RAW video via HDMI-A.

blue ball icon © KenRockwell.com 10 bit 4:2:2 color depth, All-Intra recording, XAVC HS with H.265 codec.

blue ball icon © KenRockwell.com S-Gamut, S-Gamut3, and S-Gamut3.Cine.

blue ball icon © KenRockwell.com S-Log3 and Hybrid Log-Gamma (HLG).

blue ball icon © KenRockwell.com Can record at least an hour at 4K/59.94 10b 4:2:2 before overheating.

blue ball icon © KenRockwell.com 5GHz/2.4GHz wireless LAN (IEEE 802.11ac) and has MIMO (multiple-input and multiple-output) for twice the speed of the A7R IV!

blue ball icon © KenRockwell.com Has two magic card slots that each work with your choice of SD/HC/XC UHS-I/II or CFexpress type A:

Sony A7S III

Sony A7S III. bigger.

 

Good       intro       top

green ball icon © KenRockwell.com The industry's best electronic finder gets even better.

green ball icon © KenRockwell.com Ideal format (4:3), Square 1:1 and 16:9 as-shot crops.

green ball icon © KenRockwell.com Great high-ISO performance.

green ball icon © KenRockwell.com Fast 10 FPS still shooting.

green ball icon © KenRockwell.com Innumerable video format options.

green ball icon © KenRockwell.com Dual cards and takes your choice of SD and/of CFexpress.

green ball icon © KenRockwell.com NFC

green ball icon © KenRockwell.com Wi-Fi.

green ball icon © KenRockwell.com Bluetooth 5.0.

green ball icon © KenRockwell.com Image Stabilization claims 5.5 stops improvement.

 

Missing       intro       top

gray ball icon © KenRockwell.com No built-in flash.

gray ball icon © KenRockwell.com No automatic brightness control for rear LCD.

gray ball icon © KenRockwell.com No ability to save and recall camera settings to and from a card.

gray ball icon © KenRockwell.com No timed manual exposures longer than 30 seconds. You have to use Bulb, a remote release and an external timer instead.

gray ball icon © KenRockwell.com No illuminated buttons.

gray ball icon © KenRockwell.com Not threaded to use a standard threaded cable release.

gray ball icon © KenRockwell.com No GPS, use the app.

gray ball icon © KenRockwell.com Only 1/8,000 maximum shutter speed, even with electronic shutter.

gray ball icon © KenRockwell.com No .MOV or .M4V video, just XAVC S or XAVC HS.

 

Sony A7S III

Sony makes - and innovates - everything seen here except the tripod & head. The A7S III is in there somewhere. bigger.

 

Specifications       top

Intro   Specifications   Accessories

Compared   Recommendations

 

I'd get my A7S III at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

 

Sensor       specifications       top

Sony A7S III

Sony A7S III. bigger.

12 MP.

23.8 × 35.6 mm CMOS.

8.4 µm pixel pitch.

3:2 aspect ratio.

1.01 × crop factor.

Ultrasonic cleaner.

 

ISO       specifications       top

ISO 80 ~ 102,400.

Also ISO 40 (L), ISO 204,800 (H1) and ISO 409,600 (H2).

Movies only go down to ISO 80.

 

Image Sizes       specifications       top

4,240 × 2,832 pixels native (12 MP or 12,007,680 pixels).

2,768 × 1,848 (Medium, 5.1 MP).

2,128 × 1,416 (Small, 3 MP).

 

Cropped Aspect Ratios

Square 1:1, Ideal-Format 4:3 and 16:9 crops from the above.

APS-C crop:

2,768 × 1,848 (Large, 5.1 MP).

2,128 × 1,416 (Medium, 3 MP).

1,376 × 920 (Small, 1.3 MP).

 

Still Formats       specifications       top

JPG

Standard, Fine or Extra Fine.

sRGB and Adobe RGB.

 

HEIF

MPEG-A MIAF

Standard, Fine or Extra Fine, which use Sony's choice of 4:2:0 or 4:2:2 YCrCb subsampling.

sRGB and Adobe RGB.

 

Raw

14-bit ARW 4.0.

 

Video       specifications       top

File Formats

XAVC S (MPEG-4 AVC/H.264) or XAVC HS (MPEG-H HEVC/H.265).

 

Frame Sizes and Rates

XAVC HS 4K (3,840 × 2,160)

(4:2:0, 10 bit, NTSC) (Approx.): 119.88p (200 Mbps), 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.976p (100 Mbps / 50 Mbps / 30 Mbps); 3840 × 2160 (4:2:0, 10 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps); 3840 × 2160 (4:2:2, 10 bit, NTSC) (Approx.): 119.88p (280 Mbps), 59.94p (200 Mbps / 100 Mbps), 23.976p (100 Mbps / 50 Mbps); 3840 × 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps / 100 Mbps).

 

XAVC S 4K (3,840 × 2,160)

3840 × 2160 (4:2:0, 8 bit, NTSC) (Approx.): 119.88p (200 Mbps), 59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.976p (100 Mbps / 60 Mbps); 3840 × 2160 (4:2:0, 8 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps); 3840 × 2160 (4:2:2, 10 bit, NTSC) (Approx.): 119.88p (280 Mbps), 59.94p (200 Mbps), 29.97p (140 Mbps), 23.976p (100 Mbps); 3840 × 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps), 25p (140 Mbps).

 

XAVC S-I 4K (3,840 × 2,160)

3840 × 2160 (4:2:2, 10 bit, NTSC) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.976p (240 Mbps); 3840 × 2160 (4:2:2, 10 bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps).

 

XAVC S (1,920 × 1,080)

(4:2:0, 8 bit, NTSC) (Approx.): 119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.976p (50 Mbps); 1,920 × 1,080 (4:2:0, 8 bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps); 1,920 × 1,080 (4:2:2, 10 bit, NTSC) (Approx.): 59.94p (50 Mbps), 29.97p (50 Mbps), 23.976p (50 Mbps); 1,920 × 1,080 (4:2:2, 10 bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps).

 

XAVC S-I (1,920 × 1,080)

(4:2:2, 10 bit, NTSC) (Approx.): 59.94p (222 Mbps), 29.97p (111 Mbps), 23.976p (89 Mbps); 1,920 × 1,080 (4:2:2, 10 bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps).

 

Over & Undercrank ("Slow & Quick" Modes)

NTSC mode: 0.999 fps, 1.998 fps, 3.996 fps, 7.992 fps, 14.985 fps, 29.97 fps, 59.94 fps, 119.88 fps, 239.76 fps.

PAL mode: 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps, 100 fps, 200 fps.

 

Audio       specifications       top

Recorded only along with video.

XAVC S: LPCM 2ch, LPCM 2ch (48 kHz 16bit), LPCM 2ch (48 kHz 24bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch.

S - t - e - r - e - O microphone built in.

Mic-in jack with plug-in power overrides built-in mic.

Headphone jack.

 

Autofocus       specifications       top

759 phase-detection AF points covering 92% of the image sensor.

425 contrast-detection points.

Range rated LV -6 ~ +20 with an f/2 lens.

 

Light Meter       specifications       top

1,200 zones.

Range rated LV -3 ~ +20 with an f/2 lens.

Multisegment, center-weighted, spot (variable size), full-frame average, highlight-weighted.

 

Finder       specifications       top

16mm/0.64" 9,437,184 dot OLED.

0.90× magnification.

41° diagonal apparent angle.

25mm eyepoint.

Auto brightness control.

-4 ~ +3 diopters.

 

Shutter       specifications       top

Mechanical & Silent Electronic Shutters

1/8,000 ~ 30 seconds.

1/250 flash sync speed.

 

Frame Rates       specifications       top

To 10 FPS with tracking autofocus & exposure.

 

Buffer (Burst) Sizes       specifications       top

Over 1,000 frames, JPG and/or uncompressed raw.

No claim for compressed raw. While the fast cards can soak up frames as fast as they're shot leading to this impressive 1,000 number, the lack of a buffer claim for compressed raw images suggests that the A7S III's onboard computers lack the power to compress the raw files quickly enough.

 

Flash       specifications       top

1/250 sync speed.

 

Built-in Flash

NONE.

 

External Flash

Dedicated hot shoe.

No Prontor-Compur (PC) terminal.

 

LCD Monitor       specifications       top

Sony A7S III

Sony A7S III. bigger.

2.95" diagonal flipping touch screen.

1,440,000 dots.

 

Connectors       specifications       top

Sony A7S III

Sony A7S III. bigger.

From Top Left:

Full-size HDMI-A.

3.5mm powered Mic-in.

3.5mm headphone out.

USB-C 3.2, 5 Gbps.

Micro USB.

 

Wi-Fi       specifications       top

Yes, also for FTP.

 

NFC       specifications       top

Yes.

 

Bluetooth       specifications       top

Bluetooth version 5.0.

2.4 GHz.

 

GPS       specifications       top

None, use the app to tag files.

 

Storage       specifications       top

Sony A7S III

Sony A7S III. bigger.

Dual slots.

Each slot is clever enough to accept either an SD or CFexpress type A card!

SD (up to 2GB), SDHC (up to 32GB) and SDXC (up to 512GB) cards, UHS-I and UHS-II.

 

Body       specifications       top

Sony A7S III

Sony A7S III. bigger.

 

Sony A7S III

Sony A7S III

Sony A7S III. bigger.
Sony A7S III. bigger.

 

Power & Battery       specifications       top

Battery

NP-FZ100 battery rated 500 shots (600 with LCD), or 80 minutes of video (95 minutes with LCD):

Sony NP-FZ100 Battery

Sony NP-FZ100 battery. enlarge.

 

Sony NP-FZ100 Battery

Sony NP-FZ100 battery. enlarge.

It's 7.2V, 2,280 mAh, 16.4 Wh.

 

Charging

It charges from USB PD (Power Delivery) sources in-camera, or also charges in the included BC-QZ1 Corded Battery Charger.

You can charge two batteries at once; one in the camera via USB and the other in this charger.

Although I prefer a folding plug charger, the included universal corded charger works anywhere with the right cord.

A nice feature is the three-segment battery status indicator. It shows about 2/3 charged here:

Sony BC-QZ1 Battery Charger

Sony BC-QZ1 Battery Charger with NP-FZ100 battery. bigger.

 

Sony BC-QZ1 Battery Charger

Sony BC-QZ1 Battery Charger. bigger.

The BC-QZ1 is rated 100~240V, 50/60 Hz, 0.38A in, and 8.4VDC @ 1.6A out.

 

Size       specifications       top

3.18 × 5.07  × 3.18 inches HWD.

96.9 × 128.9 × 80.8 millimeters HWD.

 

Weight       specifications       top

24.7 oz. (699 g) with battery and SD card.

 

Operating Environment       specifications       top

0º ~ 40º C (32º ~ 104º F).

 

Sony's Model Number       specifications       top

ILCE-7SM3.

 

Included       specifications       top

A7S III with attached Eyepiece Cup and ALC-B1EM Body Cap.

NP-FZ100 battery.

BC-QZ1 Charger.

USB-C Cable.

Cable Protector.

Strap.

Accessory Shoe Cover.

Limited 1-Year Warranty

 

Announced       specifications       top

10 AM, Tuesday, 28 July 2020, NYC time.

 

Promised for       specifications       top

September 2020.

 

Price, U. S. A.       specifications       top

July 2020

$3,498 at Adorama or at B&H.

 

Optional Accessories       top

Intro   Specifications   Accessories

Compared   Recommendations

 

I'd get my A7S III at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

 

Included

NP-FZ100 battery.

BC-QZ1 Battery Charger.

ALC-B1EM Body Cap.

 

Optional

.

Sony A7S III

Sony A7S III and . bigger.

The takes-over the existing battery bay and holds two batteries for double the shooting life, rated to 1,000 single shots with the finder.

Magnesium alloy exterior.

Dust and moisture resistant.

You can charge the batteries in the grip via the camera's USB connector.

 

NPA-MQZ1K Multi Battery Adaptor

This is a crazy adapter that holds up to four batteries!

Not only does it hold them all so you can just keep on shooting, it also can charge up to four batteries in 8 hours.

It may seem expensive, but it comes included with two NP-FZ100 batteries to get you started. Along with the one that comes with your A7S III, you're already up to three.

 

PCK-LG1 Glass Screen Protector

 

ECM-XYST1M Stereo Mic

An inexpensive stereo mic which attaches to the A9 II's hot shoe for much better audio than the built-in mics.

 

ECM-B1M digital shotgun mic

This is a tiny little shotgun mic that uses multiple analog omnidirectional microphone elements and then uses digital signal processing (DSP) to synthesize the directional pattern of a much larger traditional shotgun microphone.

Sadly with all its directional DSP it has no stereo option.

 

XLR-K3M XLR adapter & mic kit.

Each of these includes a professional stereo XLR preamplifier that slides into the A9 II's hot shoe and allows using professional microphones or mixing consoles. It's pretty nifty, with auto and manual gain controls, selectable lo-cut filters, line and mic level inputs and +48V phantom power.

It also includes an ECM-XM1 mono shotgun microphone.

 

Compared       top

Intro   Specifications   Accessories

Compared   Recommendations

 

I'd get my A7S III at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

 

See All Sony Cameras Compared.

 

Recommendations       top

Intro   Specifications   Accessories

Compared   Recommendations

I'd get my A7S III at Adorama or at B&H, or eventually used at eBay if you know How to Win at eBay.

For most people, the A7 III is a better camera with more battery life and twice the resolution for half the price. The A7S III is a camera for people with special needs, specifically, those who need high ISOs higher than anything and are willing to pay dearly for the slight improvement, or those who need any of the new video or other features specific to the A7S III.

This 100% all-content website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Sony does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, non-USA, store demo or used camera. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new camera before you do. Buy only from the approved sources I use myself for the best prices, service, return policies and selection.

Thanks for helping me help you!

Ken, Mrs. Rockwell, Ryan and Katie.

 

© Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten.

 

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28 July 2020