Canon 100-400mm L IS
Canon EF 100-400mm f/4.5-5.6 USM (77mm filters, 48.2 oz./1,365g without tripod collar, 6'/1.8m close focus, about $1,500). I got mine at this link directly to them at Adorama; I'd also get it at Amazon.
This free website's biggest source of support is when you use those or these links to approved sources when you get anything, regardless of the country in which you live — but I receive nothing for my efforts if you take the chance of buying elsewhere. Never buy at retail, since unlike milk or DVDs which are sealed, Canon doesn't seal its boxes so you can't tell if it's a used lens or missing accessories.
Sample Image Files
(some more also at sample images)
The Canon 100-400mm IS L is a very high performance ultra-telephoto zoom. It's also a huge bargain because it's been in Canon's catalog for a while, so it's an incredible deal today for an ultrasharp super long zoom.
The 100-400 is a fully professional L lens; I have a couple of friends who earn their livings photographing wildlife with it. This 100-400mm is the perfect safari and portable wildlife lens, far superior to using a 70-200 and a teleconverter
Its image stabilization lets us shoot even at 400mm hand-held at low ISOs in reasonable light.
It's a tough all-metal, fast-focusing super zoom that's the same size and weight as the 70-200mm f/2.8 lenses.
It's ultra sharp and has very little distortion, and with nearly no Focus Breathing, ideal for digital cinema shooting.
It has been an extremely popular lens ever since it was introduced in 1998. Nikon has nothing close. Nikon's old 80-400mm VR was a clunky lens that couldn't focus very close and had very slow and clumsy autofocus, and today's Nikon 80-400 VR II is a mostly plastic consumer lens - and costs nearly double what this thoroughly professional metal Canon lens costs!
Like most Canon pro lenses, the 100-400mm's autofocus is fast and silent, and you may grab the focus ring at any time for instant manual override.
It's a push-pull zoom. Since this lens gets so much longer as zoomed, push-pull is smoother, faster and more precise than trying to turn a zoom ring to move all this glass this far. It has an easily adjustable drag control to let you set your preference for friction.
Canon EF 100-400mm USM zoomed to 400mm. bigger.
Canon calls this the Canon Zoom Lens EF 100-400mm f/4.5-5.6 L IS ULTRASONIC.
EF: Electronic Focus. All modern Canon lenses focus with a motor in the lens.
L: Expensive as L.
IS: Image Stabilization so we don't need a tripod.
ULTRASONIC (USM): UltraSonic focus Motor. The focus motor is silent.
17 elements in 14 groups.
Internal focus, nothing moves externally as focussed.
Front, Canon 100-400 USM at 400mmm (EF diaphragm not visible).
8 straight blades.
Stops down to f/32-40.
6 feet (1.8 m), marked.
Maximum Reproduction Ratio
Minimum Subject Field
4.7 x 7.1 inches.
120 x 180 mm.
Angle of View
24º - 6.1º diagonal.
20º - 5.1º horizontal.
14º - 3.5º vertical.
Canon 100-400 with hood. bigger.
The plastic bayonet ET-83C hood is included.
Included LZ1324 case.
Zippered and velcro closing padded LZ1324 case.
It also fits 35-350mm f/3.5-5.6L USM, 70-200mm f/2.8L IS USM, 70-200mm f/2.8L USM, and 180mm f/3.5L Macro.
Zipper and Velcro closure of LZ1324 case. bigger.
This is a real case. You can use the double-handled zipper for solid closing, and once open, there's velcro on the top for shot-to-shot open and closing. Bravo!
Back of LZ1324 case.
Bottom of LZ1324 case. bigger.
3.6" (92mm) diameter x 7.4" (189mm) set to 100mm.
Gets much longer when set to 400mm.
52.307 oz. (1,482.8g) with collar.
48.160 oz. (1,365.3g), collar removed.
4.150 oz. (117.65g), collar only.
Rated 48.7 oz./1,380g.
Canon Item Code
Metal removable tripod collar.
$1,500 after rebate, May 2014.
Box, Canon 100-400mm.
The Canon 100-400mm USM is optically and mechanically fantastic. When you actually get yours, you'll be hugely impressed at what a deal you've gotten on this lens today.
AF is fast, silent and accurate.
Autofocus is almost instantaneous, as well as nearly silent.
Just grab the focus ring anytime for instant manual-focus override.
To lock it into manual mode, move the switch on the lens.
Bokeh, the quality of out-of-focus areas as opposed to the degree of defocus, is pretty good, especially at the 400mm end.
Focal length is far more important than aperture, so try your head shots at 400mm and you'll be quite pleasantly surprised compared to what you get on a 70-200 at 200mm and f/2.8.
The color balance of this 100-400 seems the same as my other Canon EF lenses.
The Canon 100-400 USM has minor pincushion distortion throughout most of its range, and no distortion at its 100mm setting.
For more critical use, use these values in Photoshop's Lens Distortion tool to remove the distortion. These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
© 2014 KenRockwell.com. All rights reserved.
Canon EF 100-400mm USM at 100mm. bigger.
Ergonomics are great.
Grab the front and move it back and forth to zoom.
The biggest black front rubber ring is where you hold it to zoom.
The thinner black ribbed rubber ring is the manual focus ring. Move it any time with a fingertip for instant manual focus override.The focus and IS switches all fall under my left thumb so I can locate them by feel.
Canon EF 100-400mm USM at 400mm. bigger.
Falloff is negligible, even without a profile.
I've greatly exaggerated the falloff by shooting a flat gray target and presenting it against a gray background:
There's no problem with vignetting even with a stack of several filters.
There's no need for thin filters; regular thick and rotating filters work great.
Focus breathing (the image changing size as focused) is mostly of interest to cinematographers who don't want the image changing size ("breathing") as the lens is focused among different subjects.
There is only the slightest bit of breathing at the 100mm end, and I cant see any at all at the 400mm end. If you can see any, the image gets slightly smaller as focussed more closely.
Shot directly into the noontime sun at 100mm at f/11, with a UV filter over the lens!
There's no problem with flare or ghosts.
Even shot directly into the sun and putting a tree in the bottom of the shot to highlight any ghosts that might materialize, there's nothing significant when you realize that the direct unshielded disc of the sun is in the top of the image, and I couldn't look through their finder because it was so literally blinding.
In actual use, there will be none.
This is excellent performance, and if you really push it, you can get just a little bit of ghosting, which will enhance your images.
Image Stabilization works, but not as ridiculously well as it does on the newest lenses.
At 400mm, you'll want to shoot at 1/60 or faster. I rarely get great shots at slower than 1/60 hand-held at 400mm. I can't get sharp shots at 1/15 or 1/8 as I can with some newer model (and shorter) lenses.
Of course I can get great shots at even slower speeds at the shorter zoom settings; it's just that one needs to be the most careful at 400mm.
On my 5D Mark III there are no color fringes, with or without with a lens profile. This is fantastic!
Macro gets sort of close. Here's what you get on full-frame at six feet (1.8m):
At close-focus distance at 400mm at f/6.3.
Maximum and Minimum Apertures top
Rear, Canon 100-400 USM. enlarge.
The Canon 100-400 USM is mostly metal. It's a real pro lens.
Painted on front metal ring near the front.
Front Barrel (between identity ring and zoom ring)
Metal, rubber covered.
Mid Barrel (section with focal length scale)
Rear Barrel (section with focus window)
Moisture seal at mount
Engraved into metal lens barrel near mount.
Filled with black paint.
Stamped on rear light shield (inside mount).
See Canon Date Codes.
Noises When Shaken
Very mild clunking.
Made in Japan.
Image sharpness depends more on you than your lens, and lens sharpness doesn't mean much to good photographers. It's the least skilled hobbyists who waste the most time blaming fuzzy pictures on their lenses, while real shooters know that few photos ever use all the sharpness of which their lenses are capable due to subject motion and the fact that real subjects are rarely perfectly flat.
This Canon 100-400 is extremely sharp throughout all of the on full frame image at every setting.
It's super-sharp wide open, and diffraction will dull the image at the smallest apertures.
Canon's specified MTF curves:
Canon 100-400mm sunstars at 100mm at f/10.
With its octagonal diaphragm, this Canon 100-400mm L IS makes 8-pointed sunstars on brilliant points of light.
I'm not a fan of 8 pointed-stars (I prefer 14 and love 18 pointed stars), but I'll take these 8-pointed stars over no stars any day.
This lens has no real competition.
Canon makes nothing similar. Canon makes a crazy 28-300mm lens that is very heavy and not all that great optically.
Forget using a teleconverter with a 70-200/2.8. It will be softer and much clumsier, and you'll keep having to swap the converter in and out to zoom over the same range that the 100-400 covers all by itself.
Nikon has nothing close.
Nikon's old 80-400mm VR was a clunky lens that couldn't focus very close and had very slow and clumsy autofocus.
Today's Nikon 80-400 VR II is a mostly plastic consumer lens - and costs nearly double what this thoroughly professional metal Canon lens costs!
Nikon makes a popular 200-400mm f/4 VR, however it costs more than four times what this canon lens does, weighs more than double, can't focus as close, and only covers half the zoom range of this 100-400mm Canon.
Switches, Canon 100-400 USM. enlarge.
I'd leave it on all the time, except for time exposures on a tripod.
MODE 1 is normal.
MODE 2 is for panning.
Use the 1.5m - ∞ setting, unless you're shooting far-away objects and are having a problem with the lens getting confused and trying to focus on close objects. If you have this problem, the 6.5m - ∞ setting will prevent the lens from trying to focus any closer than 20 feet.
If you want the best possible protective filter, the 77mm Hoya HD2 Protector is ultra multicoated, repels dirt and fingerprints and made of shatter resistant glass.
If I was working in nasty, dirty areas and don't want to spring for the HD2 filter, I'd use an uncoated 77mm Tiffen UV filter instead. Uncoated filters are much easier to clean, but more prone to ghosting.
I would leave the hood at home.
This is a great professional lens at what today is a steal of a price.
If you think you want one, get it. You'll LOVE it! I have a friend who's owned one of these for years leading safaris in Africa, and we have his images on our walls. They look fantastic! You could pay a lot more and get a lot less for long lenses.
If you find my work here helpful, my biggest source of support for this free website is when you use this link directly to them at Adorama or to them at Amazon when you get yours, or any of these links when you get anything, regardless of the country in which you live. It helps me keep adding to this free website when you get your things through these links to approved sources — but I receive nothing for these efforts if you take the chance of buying elsewhere.
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29 May 2014