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This is an historical summary and commentary of Nikon DSLRs. Click the links to individual reviews for details and comparisons.
A year in digital cameras is equal to 25 regular years. A camera introduced 2-1/2 years ago may as well be 62 years old. It's completely obsolete.
Contrast this to film cameras where my 4x5" Linhof Technika and 150mm lens are over 50 years old, and still in the prime of their useful life.
This article reads backwards. The newest is on top.
There are vast differences in real image quality between Nikon's two generations of digital cameras.
Like most marketing organizations and repressive governments, camera makers keep most people in the dark by keeping them worrying about easy-to-understand things which make no difference, like pixels and ISOs which are easy to describe with just one number, instead of trying to teach people what really matters, which are the subtleties of how a picture actually looks.
Because camera makers have the masses worrying about pixels and bit depths, when Nikon makes significant advances, they're usually not obvious behind all the fluff.
The difference between generations is so significant that the best Gen 1 camera, the D2Xs, can't make pictures as good as the cheapest Gen 2 camera, the D90, in most real picture-taking situations.
Nikon's first generation of digital SLRs started with the D1 of 1999 and continues in 2008 with the D40.
The first generation has only primitive picture and white balance adjustments.
Gen 1 cameras have an Optimize Image menu with crude controls allowing only two rudimentary options of "Enhance (+)" or "Moderate (-)" for saturation, and WB trims that extend only to ±3. There is no green/magenta adjustment for WB.
There were meaningless mentions of undefined modes I, II and III in the Optimize Image menu, but no clever dynamic range management as Gen 2 adds.
Gen 1 cameras are the D1 and D2 series, D40, D40x, D50, D70, D70s, D80, D100 and D200.
Nikon's second generation DSLRs started coming out in 2007 with the D3 and D300.
Second generation cameras offer the potential of significantly better real image quality because Gen 2 cameras add Nikon's Adaptive Dynamic Range (ADR).
Presuming its turned on, ADR allows Gen 2 cameras to render most real scenes much closer to the way our eyes see them, without all added contrast, blown highlights and blocked shadows common on film and Gen 1 cameras for most people.
If you're a pro who knows how, and actually controls his lighting perfectly, then you can get great results on Gen 1 cameras, but for most people who don't, Gen 2 cameras will give significantly better pictures.
The D90 has ADR on by default, and the D3, D700 and D300 need it turned on in the menus. I always shoot my cameras with ADR in NORMAL (or AUTO if available) for every shot.
Gen 2 cameras also are Nikon's first cameras to allow a full range of saturation and other image adjustments. Saturation and other values are set in direct units of up to ±3. These are set in the Picture Controls menus.
Gen 2 cameras have WB trims which extend 6 units in each direction, marked in blue and amber (not + and -) and allow green/magenta adjustment.
Gen 2 cameras offer five manual preset (gray card) WB storage settings, complete with icons and notes.
Gen 2 cameras magically and automatically correct color fringes caused by most lenses. If you're a tweaker, this alone significantly improves corner sharpness.
Gen 2 cameras are using the increased in-camera processing horsepower to do all these tricks. If you're wasting your time shooting raw, you will have to hope that whatever software you're using to open raw files is as smart as what Nikon is building into these cameras for free. Many off-brands of software can't do any of this.
There was never much reason for raw, and in Gen 2, even less. It's quite likely that using raw with a Gen 2 camera and most, if not all, software, will throw you back into Gen 1 quality. It's not 2006 anymore. Most raw software does not do any of the clever things, like ADR, expanded color controls or totally automatic lens corrections, that are done in-camera.
Gen 2 cameras also have a super-sharp new 3" LCD screen.
Gen 2 cameras are the D3, D700, D300 and D90.
The D60 has ADR, but its stuck with the old Optimize Image menu and none of the other Gen 2 additions, so call it Gen 1.1 if you insist. I'm calling it Gen 1.
05 January 2016: Nikon's tenth professional SLR. Adds 12 FPS, radio strobe control and a touch screen. Has same AF system as D500.
05 January 2016: First DX to run at 10 FPS, but has no built-in flash. Has same AF system as D5.
02 March 2015: Adds NFC and Wi-Fi to the D7100.
24 MP DX, 6 FPS, 27.0 oz./765g with battery and card (takes 2-SD), $1,199 body-only, $1,699 with 18-140mm.
10 February 2015: For astrophotography; passes the 656 nanometer hydrogen alpha line.
36 MP FX, 5 FPS, 34.6 oz./980g with battery and CF card, $3,799.
It's the same as the D810, with a different IR-cut filter, ISOs starting at ISO 200, and the option for exposures as long as 15 minutes.
05 January 2015: 24 MP DX, 5 FPS, 16.6 oz./470 g with battery and card, $899 body-only.
The D5500 adds a touch screen to the D5300, and takes away GPS and two ounces of weight.
12 September 2014: 24 MP FX, 6.5 FPS, 29.7 oz./840g with battery and card, $2,300.
The D750 adds the superior AF system of the D810 to the D610, as well as more speed than either at 6.5 FPS. It also adds a flippy screen, Nikon's first on a full-frame DSLR.
26 June 2014: 36 MP FX, 5 FPS, 34.6 oz./980g with battery and CF card, $3,300.
The D810 adds 5 FPS and a stereo mic to the old D800 and D800e.
25 February 2014: 16 MP FX, 11 FPS, 47.3 oz./1,337g, $6,500.
The D4s is a D4 with a faster computer to allow more noise reduction to give a foolish ISO 409,600 setting, 11 frames per second up from 10, and a bunch of other small features changes. The D4S development was announced 07 January 2014 at CES 2014.
07 January 2014: 24MP DX, 16.2 oz./460g with battery and SD card, ISO 100 - 12,800 (25,600), 11-point AF, 3" LCD, 5 FPS, 1080p video, mono mic. $650 with lens; also comes in gray and comes in red for the same price.
A minor revision to the D3200 of 2012; adds a gray color version and 45g lighter; same AF and resolution as D3200.
Unlike every other Nikon DSLR ever, the Nikon Df is a completely new camera, taking the ergonomic brilliance of the Nikon FE and stuffing the digital guts of a D4 into it. The Df is an all-metal piece of excellence with real knobs and buttons, not the push-multifunction-button-and-spin-dial cost-cutting baloney of Nikon's SLRs since the 1990s.
The D5300 is the same as last year's D5200, adding built-in Wi-Fi and GPS.
The D610 is the same as the D600, supposedly with a "new shutter" that begets 6 FPS and a 3 FPS "quiet" mode.
New in the D7100 were OLEDs for finder data display, a weird 1.3x crop mode inside the 1.5x DX frame, the first "i" button for controlling recent settings.
The D800 completely rewrites the book, and obsoletes most of Nikon's DSLR line. Yipee!
06 January 2012: 16MP FX, 10 FPS, 47.3 oz./1,337g, $6,000. Pretty much only a D3¼ with less weight, more FPS, no big deal. What can be a big deal is the removal of the rear AF-area mode switch, replacing it with a button and dials instead.
05 April 2011: Nikon D5100. 16MP DX, 4 FPS, 3" flippy LCD, 1080p movies. $799.95, available May 2011.
An updated D5000.
15 September 2010: Nikon D7000. 16MP DX, 6 FPS, 3" LCD, movies. $1,199.95, available mid-October 2010.
New in the D7000 is two SD card slots, Nikon's first 2,016-segment RGB meter, two new programmable mode-dial positions, U1 and U2 (as copied from Canon's C1 and C2 instant-recall settings), a 39-point AF system, and two types of Auto White Balance.
THe D3s adds video, a sensor cleaner, an additional 1.2x 8MP crop mode, dedicated INFO and Live View buttons, Quiet Mode, stupid-high ISOs to ISO 102,000, and $300 to the price of the D3.
30 July 2009: The Nikon D3000 has a low-resolution 3" LCD and 10MP for $599, including an excellent 18-55mm VR lens. It's the worst Nikon DSLR ever made because it has very slow operation in most use, and has poor performance at high ISOs. The D40 of 2006 is superior and costs less.
14 April 2009: The Nikon D5000 adds a flippy LCD screen, movies and 12MP DX for $730. It's slotted below the D90 but above the D40 from 2006.
01 December 2008: The D3X is announced. It's identical to the original D3, except with 24.4MP and only 5FPS and lower ISOs.
January 28, 2008: Nikon D60 announced. Replaces D40x.
The D3 is another milestone with Nikon's first 24x36mm sensor, dubbed FX. It runs 9FPS for $5,000. The D3 replaces the D2Xs. Nikon's press release on the D3.
The D300 is an evolution of the D200, now with a 12MP DX sensor and 6-8 FPS for $1,800. $1,800 oddly is a price increase $300 over the D200. The D300 replaces the D200. Nikon's press release on the D300.
05 March 2007: The D40x is announced to fill a vacant price point in Nikon's line. It is the same as the excellent D40, but with 10MP instead of 6MP, but a slower sync speed of 1/200 vs. 1/500, a slower default ISO of 100 vs. 200, and a $200 higher price than the D40. The D40x was introduced to let Nikon fill in a price point in its camera line for competitive purposes. Personally I prefer the less expensive D40. See also the Megapixel Myth.
16 November 2006: The D40 is announced for Christmas at $599 with included excellent 18-55mm II lens. It is the smallest, lightest and least expensive Nikon DSLR ever. It started shipping on November 30th, 2006.
09 August, 2006: The D80 is announced. 10 MP, 3 FPS for $999. The D80 is a D70 body and mechanics with the sensor and LCD of the D200.
June 2006: The D2Xs is announced, a slight improvement to the D2X. Same 12 MP and 5FPS and weird crop mode. $4,700.
01 November 2005: the D200 is announced. It's a groundbreaker at 10MP and 5 FPS at $1,699. It shipped in December 2005 as promised. It was on backorder until about October 2006. The D200 starts a new level in the Nikon line between the plastic D70 and the pro D2X.
The D70, D70s and D50 are great cameras new or used, but replaced by the two-year-newer D80 of late 2006.
16 February, 2005: The D2Hs is announced: 8 FPS DX, 4 MP, 2.5" LCD.
It's a minor revision of the D2H at a bargain price of $3,500. This makes a used D2H or new D2HS a great buy for sports. They are the same as the more expensive D2Xs, just faster with a few less pixels.
16 September, 2004: the D2X is announced. 12MP, 5 FPS, $5,000. The D2X also has a bizarre cropped 7 MP, 8 FPS mode. Most of what the D2X does is replaced by the D200 in 2005. I'd get a used D2X if the price was right. It's Nikon's top of the line. I prefer the D200 for smaller size and a couple of more features.
February 2004: Nikon shows the D70 at PMA. It's lightweight, 6MP, 3 FPS and a groundbreaker at $999. The D70 is a huge improvement over the D100 in almost every way except having no accessory vertical grip. All this, and it's priced less, too! The D70 fixes the dust problem by moving the CCD filter further away from the CCD. This throws dust out of focus and makes it much less of an annoyance than on the D1 series cameras.
The D70 replaced the D100.
Nikon was going to discontinue the D100, but instead decided to keep making the D100 because they discovered they could get a higher price than the D70 just because of the model number. People who equated price with quality kept buying D100s because they cost more.
December, 2003: Nikon announced the development of the D70. Nikon had little to say other than the D70 would be cheap. Nikon was still inventing the D70 and had none to sell. Nikon made the announcement to get people to wait instead of fleeing from Nikon to Canon's inexpensive Digital Rebel.
22 July, 2003: The D2H is announced. 4.1 MP, 8 FPS, $5,000. The D2H was a new design with a much improved Li-Ion battery and a new flash exposure system. The D2H is a bargain used and a fantastic camera for sports.
21 February, 2002: The D100 is announced. It's 6 MP and 3 FPS for $1,999. This is Nikon's first lightweight amateur DSLR camera. It was an N80 with digital guts. It wasn't available for sale until June, 2002. It was a sellout with long waiting lists for a year after its introduction.
In May 2003 the D100 dropped to $1,699. In December 2003 it dropped to $1,499 where it stayed for a year or two. In May 2005 it dropped to $999.
Forget the D100, but snap one up if you can get a screaming deal.. The newer D70 and D50 work better. The D100 required messing with a wheel and knob to make critical adjustments. The newer cameras have direct entry buttons. The newer cameras have two years of extra wisdom in their firmware and just do everything better. Flash exposure isn't very good on the D100. See a comparison here. The D100 used the same EN-EL3 Li-Ion battery of the D50 and D70.
They both replaced the numerical menu system with easy to understand menus in English.
The D1H kept the 2.7 MP sensor and increased speed to 5 FPS.
The D1X slowed to 3 FPS, but increased resolution to 5.3 MP. The resolution of the D1X is still decent in 2006. It used a bizarre CCD with twice the horizontal pixel density of the D1. Image quality was, and still is, extremely good because it had 4,024 horizontal pixels on the CCD. It had to do less Bayer interpolation and thus has much better image quality than one would expect in its 3,008 x 2,000 pixel images.
Don't buy either of these today regardless of price. They had awful battery systems. I had a D1H. They only run for about 250 shots on a charge. The batteries are huge, heavy Ni-MH packs which require constant babying in charging. The packs have protuberances which make them painful to carry in a pocket. They lose charge if left unused. Even a freshly charged battery would indicate almost dead after a few shots. Most D1, D1H and D1X users including myself lived with the viewfinder indications turning off, indicating almost dead battery, after just a few shots. They also had awful flash exposure. Many photographers had to revert to non-TTL exposure modes because the TTL mode was so flaky. Dust was a horrible problem because the CCD cover filter was too close to the CCD. At almost any aperture you'd see dust clearly on the image. They were state of the art in their era (2001 - 2003), but that era is long gone.
15 February 1999: Nikon announced it was working on "a new professional class, high-quality digital Single Lens Reflex Camera."
15 June, 1999: Nikon announces the D1, the world's first practical DSLR. It is the first practical DSLR because it's the first DSLR with good enough image quality for print (2.7 MP), fast enough (4.5 FPS) and priced low enough ($5,000) and functional enough to be sensible to use daily as a primary camera. It's also the first DSLR made with Nikon electronics in a Nikon body, by Nikon.
It replaced film at forward-looking newspapers.
Forget about it today, regardless of price. For the same price you can get the greatly improved D1H or D1X, neither of which are worthwhile today either. The D1 is confined to the dumpster of history (and collectors) because its battery system is a pain, and its menu structure requires interpreting numerical custom functions. It requires a cheat sheet to decipher. Flash exposure performance is awful. Get one only as a landmark camera to collect. The D1 is the landmark. The D1 is the camera that replaced film at newspapers.
The D1 is unique in having a 1/16,000 top shutter speed, since its shutter is also electronic. That's how it gets a 1/500 sync speed. If you use the PC sync terminal or a non-dedicated flash so the D1 doesn't know you've got a flash attached; sync goes all the way to 1/16,000!
Nikon announced no new DSLRs for a couple of years.
The similar E3 and E3S came out, still based on a big klunky Fuji body. They were still only 1.3 MP (1,280 x 1,000 pixels). SCSI interface. Still about $20,000.
These relics are worth about $300 in 2006. Don't bother using them for serious photography.
A minor upgrade, the E2N and E2NS came out and was still about $20,000.
These relics are worth about $300 in 2006. Don't bother using them for serious photography.
Digital SLRs are still science experiments, but in series production for special events. Nikon finally makes its first commercialized DSLR, over twenty years after America invented digital cameras.
It was called the Nikon E2 and E2S. They weren't Nikon bodies at all. They were hacked out of Fuji bodies with Nikon electronics! Bizarre internal reduction optics helped restore the field of view, with weird effective apertures. PCMCIA card memory. About $20,000 and only 1.3 megapixels, which is why they don't count as practical cameras.
These relics are worth about $300 in 2006. Don't bother using them for serious photography.
Digital SLRs are still custom built laboratory experiments. NASA had some Texans hack an F4 to fly on the STS-48 shuttle mission. It had a 1MP black-and-white sensor and recorded to a Texas-sized hard drive hacked to the bottom of the F4. See it here. Nikon had nothing to do with this as far as I know. It was the Texans who played Frankenstein with a stock F4 body.
Kodak shows a hacked Nikon body with a Kodak sensor at Photokina called the DCS. It was 1 MP and cost $25,000. It shipped in 1991.
Kodak kept trying through about 2003, and gave up after the 14n.
These and later model Kodaks were popular for some news events, but most newspapers that had them threw them away when the D1 came out in 1999.
Kodak created the first digital camera in Rochester, New York, USA. It was big and scary and certainly didn't run on batteries. Nikon had nothing to do with this, although Kodak probably used a Nikkor lens.
More Information: This site also has an excellent history of digital Nikons.
© Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten.
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